June 2014 – Antique Bottle & Glass Photo Gallery

MikesHarrisons

Apple-Touch-IconAHere we go with the June 2014 group of pictures (my favorites) culled from a few of the web and Facebook sites. Top honor is from Mike Newman which is pictured above. Mike captions it, “Harrison Ink – Just added the smallest size to my grouping that now stands at four sizes. Wondering what sizes I am missing.” What a powerful picture!

June 2014 – Antique Bottle & Glass 

P H O T O    G A L L E R Y

01 July 2014

WheelersColors_George

I have seen a few of these roped corner DR. WHEELER’S TONIC SHERRY WINE BITTERS in aqua… but aqua can also offer some diverse colors! Here is a BLUISH aqua vs. a GREENISH aqua. I believe these to be a Lyndeborough NH bottles, and both are typical colors. This is one of the BEST Lyndeborough bottles in my opinion! – Michael George


HolisBarrels

3 months ago had only the Halls bitters guess you can say I’m having a barrels of fun now, that Turner Brothers is a honker. – Lou Holis


GI37three flasks2_Newman

Thought you might like these photos. The quart GI-37 came out of the recent Heckler auction. Provenance is McKearin and Vanderbilt. Hope you are well. Call me next time you are coming to Augusta. – Mike Newman


earlyglass+003

Get your 3 Squares a Day – Dale Malasko


CaiolaTownsend

Smooth base whittled Townsend’s bought at the Saratoga show. Anybody else get something there? – Alex Caiola


3PuceBittersDale

“Hey Ferdinand, Here is a photo of three 1860s western bitters. They are in puce and left to right, Byrne & Castree Salutaris Bitters, S.F.; Rosenbaum’s Bitters, N.B. Jacobs & Co. San Francisco; E. Wideman & J. Chappaz (Alpine Stomach Bitters, Marysville, Cal.) I have green counterparts to each except the E. Wideman & J. Chappaz – Dale Mlasko


Keach&GardnerTorpedos_Rowell

After some of the responses to yesterdays bad cell phone picture. I thought I’d post a couple good pictures of my Keach and Gardner & brown color runs”. – Chris Rowell. Read: “Damn the torpedoes, full speed ahead!”


BillsDrakes

Guys, Well I’m back from Washington/Oregon and we had a great time. Alice and I spent a lot of time with the Taylors and it was fantastic. Some interesting finds. I will share the teal Drake information here other stuff will come later. Guys, I’d like to write it up for an article in Bottles and Extras later if that is OK with you. First…Ferd’s Drakes measured 31 38, Second Jeff’s Drakes measured 30 37. When I measured the two teals that Bill had they were at night and it was dark to get a great reading on the standards. The two results we tabulated and I checked what Ferd and Jeff had the next day. Believe it or not Bill’s measured 30 37 and 32 38. We placed them in the window to compare colors. You will agree that they are two different colors. Since I have seen all of these I have to agree. See for yourself. In other words Jeff’s is exactly like the light teal one Bill has and Ferd’s is very very close to the other one. I’d like to have all 4 together sometime to see for myself. Here are the pictures and data: First two are Bills data, next Jeff last Ferd. – Michael Seeliger


3SantaRosaJerry

Three beauties that Jerry Forbes picked up at the Santa Rosa, CA show this past weekend. Congrats! – Jerry Forbes


Sandwich 67 a

My Visit to the Sandwich Glass Museum – Sandor P. Fuss


KitchenWindow_Aaron

Kitchen Window – Aaron Hanshew


WeddingDay

A beautiful day for a wedding! – Kristie Nichols Zieler


FreshOutOfPrivy

Nice little early group fresh out of the privy. Jadwin’s Honesdale,Pa. Subduing Liniment, Worm Syrup, and Pectoralis….  Jeffrey N. Hunter


HighRockSaratogas

I just got a quart amber High Rock from Cindy Suter to go with my green pint. It’s a beauty and Cindy was wonderful to deal with. – Charles Flint


PersianEwers

Story of how this collection is being built, it seems. Everything comes in groups. Latest, and most fascinating to me is that I’ve actually had the opportunity to acquire a small number of late Persian ewers. I had simply presumed that these, particularly the 17th and 18th century ones, would already be locked into the collections of museums and fancy-dance glass collectors (rather than bottle collectors) and hence utterly inaccessible. These three recent additions, to my mind are all all 19th century, based on similarities to others in the collection. I have to wonder if the one on the right is Persian or simply Middle Eastern. A bit odd, as well, to one who is accustomed only to adding utilitarian glass to his shelves. Delightful, and odd. http://www.saddleflasks.com/home-page/galleries/ewers/ – Phil Culhane


DumpCake

A member from my web site posted this. His 12 year old daughter made this for him for Fathers day. — The (DUMP CAKE) now that’s funny. depending on who you are that is.   Ricky Weiner


BubblesWoody

I like bubbles. What can I say, I am’s what I am’s.  Woody Douglas


ManCaveDouglas

Man Cave  Woody Douglas


See More Galleries:

See: August 2013 – Antique Bottle & Glass Photo Gallery

See: September 2013 – Antique Bottle & Glass Photo Gallery

See: October 2013 – Antique Bottle & Glass Photo Gallery

See: November 2013 – Antique Bottle & Glass Photo Gallery

See: December 2013 – Antique Bottle & Glass Photo Gallery

See: January 2014 – Antique Bottle & Glass Photo Gallery

See: February 2014 – Antique Bottle & Glass Photo Gallery

See: March 2014 – Antique Bottle & Glass Photo Gallery

See: April 2014 – Antique Bottle & Glass Photo Gallery

See: May 2014 – Antique Bottle & Glass Photo Gallery

Posted in Display, Photography | Tagged , , | Leave a comment

Look What I Found!

CastleRyeNewmansDemijohn1_Pam

Look What I Found!

Pam Selenak

30 June 2014

So we stopped at an antique shop on the way to the Reno Antique Bottle show and Randy and I saw this demijohn case. Although it had Pacific Coast Glass Works on it, we passed.

So after the show, we were talking to a friend that also was at the show, and he had bought a case similar to the one we saw in the antique store. He asked what was on the side of the case. He explained that it would say what was in the bottle. I didn’t remember, so on our way back home we stopped back into the store. It said CASTLE OK RYE WHISKEY F. CHEVALIER CO.

Did I say it is about 80% if not more full. 2 gallons! Although my terror of a cat broke my wickedly whittled OK Castle whiskey just recently, I am in pursuit of another in the same condition to go with my new OK Castle Demijohn with contents.

Party on!!!!

CastleRyeFull_Pam

CastleRyeBoxTop_Pam

CastleRyeLatch_Pam

CastleRyeWhiskey2_Pam

CastleRyeWhiskeyBox_Pam

Posted in Collectors & Collections, Demijohns, Digging and Finding, Glass Companies & Works, Liquor Merchant, Spirits, Whiskey | Tagged , , , , , , , , , , , , , , , | 1 Comment

Napoleon Sarony Photographic Hotel Art Album

SaronyAlbumC

Napoleon Sarony Photographic Hotel Art Album

30 June 2014

Apple-Touch-IconAI received a really interesting e-mail (see below) from someone looking for information on Napoleon Sarony and specifically an album of his photographs and work. I posted about Sarony before as he has designed some of the greatest advertising art that you will ever see for some great brands like Binninger and Old Sachems Bitters and Wigwam Tonic.. Read: The great work of Sarony, Major & Knapp Lithographer – New York

I asked for a few pictures (see 3 pictures) and was knocked out with what she was referring to.

Old Sachem Bitters and Wigwam Tonic - Wm. Goodrich, New York Geo. Hunnewell, agent, New York lithograph of Sarony, Major & Knapp, 449 Broadway, N. York.Sarony, Major & Knapp Lith., New York, Sarony, Major & Knapp, 449 Broadway, circa 1859. Print showing a Native American man, possibly a chief, full-length portrait, standing, facing right, holding a spear in left hand; in the background are the teepees of a Native village during an assault on the village - Library of Congress

Old Sachem Bitters and Wigwam Tonic – Wm. Goodrich, New York Geo. Hunnewell, agent, New York lithograph of Sarony, Major & Knapp, 449 Broadway, N. York.Sarony, Major & Knapp Lith., New York, Sarony, Major & Knapp, 449 Broadway, circa 1859. Print showing a Native American man, possibly a chief, full-length portrait, standing, facing right, holding a spear in left hand; in the background are the teepees of a Native village during an assault on the village – Library of Congress

The e-mail

I am researching (and I use the term loosely – it’s my first attempt) a Photographic Art Album of Mr. Napoleon Sarony and I found an article where you had mentioned Mr. Sarony’s photographic art.

I was wondering if you could give me any information as to where I might get the album appraised or find out if it’s worth it to research further. The album has been in a friend of mine’s possession for at least 80 years and she wanted me to check it for her. Any advice would be appreciated.

Thank you for your time and consideration. Respectfully,

Patsy

SaronyAlbum1

SaronyAlbum3

“We have located two others in public institutions. One for the Parker House of Boston is at Brown University, and the other for the Ponce De Leon Hotel of Saint Augustine, Florida is at Jacksonville University.”

SarpnyAlbum2

Searching online, I did see specific reference to this Napoleon Sarony (pictured below) photographic album as the Antiquarian Booksellers has one listed for $80,000. Their fascinating description is reposted below.

NapoleanSaronyPic

SARONY. PHOTOGRAPHIC ART ALBUM. HOFFMAN HOUSE

circa 1885 · New York City by Sarony, Napoleon. photographer

(New York City, circa 1885). This monumental volume was created by the prominent New York photographer, Napoleon Sarony. Each side of the 23 thick board pages contains a matted albumen photograph and four matted advertising cards. Of the photographs, 42 are large portraits of notable actresses. Portraits of Grover Cleveland and his vice president, a portrait of the celebrated coronet player Liberati, and a photograph of the Owen papermaking establishment (possibly the producer of this album) are included. Of the 184 advertisements, 91 are photographs, the others are either engraved, lithographed, or chromolithographed.

The large photographs measure 11 1/2 x 6 3/4 inches ( 292 x 171 mm.), while the advertisements are mostly 8 x 4 inches ( 203 x 102 mm.) or the reverse. Elephant folio, 22 x 20 inches ( 559 x 508 mm.). Brown calf with lettering in gilt; expertly rebound with new brown morocco spine; minor soiling to the first few leaves; some old chromolithograph die cuts are mounted on the first five pages; light foxing.

Produced to sit in the lobby or bar of pre-eminent hotels, “art albums” were a kind of concierge service, created to entertain and inform visitors of the businesses and pleasures associated with these exclusive establishments. Our album is filled with seductive portraits of the stars of the “Belle Epoque”, including Fannie Davenport, Adelina Patti, Ada Rehan, Lotta Crabtree, Modjeska, Ellen Terry, and Lillian Russell, plus dozens of advertisements for goods and services.

All 42 actresses were posed and photographed by the greatest photographer of the American theatre, Napoleon Sarony (1821 – 1896). He “established a studio on Broadway in New York in 1866 – exactly the right time to take advantage of the American public’s growing fascination for the theatre by satisfying the accompanying demand for pictures of its stars. For the next thirty years Sarony photographed virtually every actor and actress working on the New York Stage. ” – Bassham p. 3. The Hoffman House was located on Broadway between 24th Street and 25th Street. Built in 1864, it quickly became the informal meeting place for the Democratic Party in New York. Grover Cleveland stopped there frequently, and was living there when he was elected to the Presidency for his second term. General Benjamin Butler and General Winfield Scott made the hotel their home on several occasions, and William Randolph Hearst lived at the Hoffman when he first came to New York City. Edward S. Stokes, who shot financier James Fisk, Jr., became a partner in the hotel, serving as general manager until 1897. The elegant barroom with its shocking painting “Nymphs and Satyrs” by Bougereau, became a major tourist attraction.

Due to their large size and small number, hotel “art albums” rarely survived. We have located two others in public institutions. One for the Parker House of Boston is at Brown University, and the other for the Ponce De Leon Hotel of Saint Augustine, Florida is at Jacksonville University.

The person was quite excited with my response.

Posted in Advertising, Advice, Digging and Finding, Photography, Questions | Tagged , , , , , , , | Leave a comment

An XR, Dr. Paetz’s Stomach Bitters makes an appearance

OLYMPUS DIGITAL CAMERA

An XR, Dr. Paetz’s Stomach Bitters makes an appearance

27 June 2014 (R•110814)

NorthAmericanGlass

Apple-Touch-IconAI was a little stunned when I received an auction announcement from Greg Spurgeon and North American Glass earlier in the month. The surprise was not another fine auction of fruit jars which I have come to expect, because Greg is the “fruit jar auction man”. The surprise, and the part about being stunned, was seeing an example of a Dr. W. Paetz’s Stomach Bitters included in his auction lots. See Listing

Sure, he has other bottles in his auctions, and I did pick up this peachy-puce Baker’s Orange Grove Bitters earlier this year from one of his events. It’s just that I have never seen a Paetz’s. What a beauty! With a super, red iron pontil and looking like a Hostetter’s Bitters bottle, this boy was real. When I contacted Greg about the bottle he said, “Yes we just came across this one from an older couple of “closet collectors” here in the Midwest.” The bottle ended up selling for a$1,810 not including the auction house premium.

Carlyn Ring and W.C. Ham have it listed as the following in Bitters Bottles:

P 4.5  DR W. PAETZ’S / STOMACH BITTERS // f // f // f //
9 7/8 x 2 7/8 (7 3/4) 1/4
Square, Amber, LTC, Applied mouth, Metallic pontil mark, Extremely rare

Update from Bill Ham:

Paetz was in Columbus Ohio by at least 1855, and then moved to Gallion in 1860. He moved to Indianapolis in 1869. He is listed in the 1870 census in Indianapolis as being 46 years old.

Three examples are known to collectors. One found in a sealed house attic in Cincinnati Ohio with a group of pontiled embossed bottles and a second example was sold at an estate auction in Indianapolis, Indiana in 2006. 

There is virtually nothing out there on this bottle but I will go deeper this weekend. I did find this amusing clipping in the Harrisburg (Pennsylvania) Telegraph from 22 October 1883. Yes this is late for this bottle which is Civil War era but interesting none-the-less. Maybe the doctor succumbed to the evil of drink only to be whipped to his senses by his wife.

Paetz_Harrisburg_Telegraph_Mon__Oct_22__1883_

Same bottle shows up 5 months later at Glass Works Auction 105

175

175. “DR. W. PAETZ’S / STOMACH BITTERS”, (Ring/Ham, P-4.5), American, ca. 1850 – 1860, deep amber, 9 1/2”h, red iron pontil, applied tapered collar mouth. About perfect. Extremely rare! To our knowledge this is one of only three known examples, all were found in either Ohio or Western Pennsylvania. – Glass Works Auction 105

Posted in Auction News, Bitters, Medicines & Cures | Tagged , , , , , , , , , , , , | 1 Comment

Harrison’s Columbian Ink Cylinders in the News

MikesHarrisons

Harrison’s Columbian Ink Cylinders in the News

27 June 2014

HarrisonsInkLabel

Apple-Touch-IconATwo southern gentlemen, Mike Newman (Augusta) and Charles Aprill (New Orleans) have been posting some outstanding photographs of cylinder form, Harrison’s Columbian Ink bottles from Apollos W. Harrison in Philadelphia. That is Mike’s picture at the top of the post. Stunning! Charles followed up with the following outstanding five (5) pictures. Read more on Apollos W. Harrison from ink royalty, Ed and Lucy Faulkner from a past issue of Bottles and Extras.

HarrisonsCA4

HarrisonsCA1 HarrisonsCA2 HarrisonsCA3HarrisonsCA5

Posted in Collectors & Collections, History, Inks, Photography | Tagged , , , , , , , , , | Leave a comment

Hostetters Base Markings

CampigliaHostetters

“The many colors of Hostetter’s. Just some of a few I have gathered. It was my first bottle my grandma gave me. 35 years ago.” – James Campiglia

Hostetters Base Markings

25 June 2014

HostettersHarpers

Apple-Touch-IconAI have been consumed lately with digitally archiving past issues of Bottles and Extras for the FOHBC membership and came across this pretty cool article from Hostetters Bitters master, Richard Siri, from the Summer issue of 2005. Back then the magazine came out four times a year. Now it is six or bi-monthly. Subscribe.

(Read Article)

Winter2005_Front-Back_cover

Read More on Base Markings and bottle bases.

hostetterbaseKeymold

Posted in Bitters, Collectors & Collections, Color Runs, History, Technology | Tagged , , , , , , , , , | Leave a comment

Where is the Bitter Puyastier from?

BitterPuyastierDetailWhere is the Bitter Puyastier from?

21 June 2014 (R•042919)

Apple-Touch-IconADavid Jackson sent me a picture of him holding a Bitter Puyastier and said, “Hi Ferdinand, Do you have any info on this bottle? I have one in amber and have seen it in green. Not much info on the web. Best Regards and will see you in Lexington, David Jackson”. David has a collection of really great seal bottles so I can see why this bottle might interest him. Read: David Jackson and his Applied Seal Bottles

BitterPuyastierTall

Applied seal, Bitter Puyastier in an amber lady’s leg form – David Jackson Collection

At first, some indications pointed to a French bitters by Barthelemy Puyastier later sold in Montevideo, Uruguay and Buenos Aires, Argentina as I find some patents and listings in various periodicals from the 1878 to 1910. The 1878 registration for Bitter Puyastier by Mateo Petit was at the Paris Universal Exposition.

The bitters is not listed in Ring and Ham and probably should be included in Bitters Bottles Supplement 2. Kind of ironic to be looking at France, Uruguay and Argentina as I watch the first round of the FIFA World Cup from Brazil.

Here is an advertisement submitted by Paul Sebastian Palmer. Bernasconi & Co. in Buenos Aires is referenced as one of  the agents. The second is Serè & Cia,, Montevideo.

The new listing for the forthcoming Bitters Bottles Supplement 2:

B 112.2  BITTER PUYASTIER
12 1/4
Round with applied seal, amber, Applied ring mouth
A group of these old bottles was found at an old factory site in Uruguay. Manufacture style and the bottles found with it at the location suggest turn of the century or later time period. Neck is somewhat of a short lady’s leg shape.
Probably from Buenos Aires, Argentina

Select Timeline:

1878: Bitter Puyastier registration by Mateo Petit  Paris Universal Exposition of 1878
1885: French patents for Bitter Puyastier
Vista_de_Montevideo_1880-1905

Photgraph of a drawing at an open exhibition in Prado, Montevideo, Uruguay – 1880 – 1905 period estimate

MateoPetitUruguayBitterPuyastier

1878 Mateo Petit Bitter Puyastier listing – (Uruguay) Apuntes estadísticos: (población, comercio, hacienda) para la Exposición Universal de París

3PatentsBitterPuyartier

1885 French Patents for Bitter Puyastier – Bulletin officiel de la propriété industrielle et commerciale

BitterSupeerieur

Patents for Bitter Puyastier in Argentina and Uruguay – Patentes de invención concedidas, denegadas, desistidas y transferidas – MR 16,893, September 15, 1906

BitterPuyastierHavre

Bitter Puyastier (Barthelemy Puyastier, Havre) mentioned – Bollettino Ufficiale. Nuova Serie, 1908

CarasCaretas1892Cover

Caras Caretas (Montevideo, Uruguay) mentions Bitter Puyastier within, 1892 (see further below)

BitterPuyastierBul1910

Bitter Puyastier – Boletín Oficial de la República Argentina. 1910 1ra sección (August 19, 1910)

Caras

Poor image but mention of Bitter Puyastier in 1892 issue of Caras Caretas in Montevideo, Uruguay.

Posted in Bitters, Figural Bottles, History, Questions | Tagged , , , , , , , , , , , , , | Leave a comment

Looking at some George Ohr Inkwell Examples

G_OHR1

Looking at some George Ohr Inkwell Examples

The ‘Mad Potter of Biloxi’

20 June 2014

Apple-Touch-IconAJim Hagenbuch and Glass Works Auctions had some nice George Ohr, also affectionately called the “Mad Potter of Biloxi”, inkwells in their auction #102 that closed this past Monday night. I thought it would be nice to group and compare against some other examples in my files.

George Ohr has been on my radar since attending the Kansas City Art Institute art history classes and hanging out with many ceramic artists in my college days. Pictured at the top of this post, George Edgar Ohr (July 12, 1857 – April 7, 1918) was an American ceramic artist and the self-proclaimed “Mad Potter of Biloxi.” In recognition of his innovative experimentation with modern clay forms from 1880-1910, some consider him the father of the American Abstract-Expressionism movement. Read More

RedwareLogCabinInkOhr_GWA102

George Ohr Redware Log Cabin Inkwell, Mississippi, ca. 1890 – 1910, mottled olive green and tan color glaze log cabin, 2 3/8”h, 3” by 2 1/4” in diameter. ‘G.E. Ohr / Biloxi’ impressed on the base. Perfect condition. A classic Mississippi Delta rustic log cabin form! – Glass Works Auctions | Auction 102

OHR_Cannon_GW96

George Ohr Pottery Cannon Inkwell, Mississippi, ca. 1880 – 1900, mottled brown glaze cannon on an olive green glaze mount, 2 1/4”h, 5” long, ‘G.E. Ohr / Biloxi’ impressed on the base, A tiny chip is off the edge of the base, otherwise in perfect condition. The cannon and mount are two separate pieces of clay joined together. Extremely rare, we have not seen another like it! – Glass Works Auctions | Auction 96

ArtistPalewtteInkwellOhr_GWA102

George Ohr Pottery Artists Palette Inkwell, (Badders I-154), Mississippi, ca. 1890 – 1900, overall dark brown somewhat mottled glazed pottery of an artists palette complete with three brushes, two tubes of paint, four paint samples and a pot near the center which is the inkwell. The base is 7 1/2” by 6 1/2” in size, ‘G.E. Ohr’ in script is incised on the base. A very intricate and unusual piece of Ohr pottery that is in perfect condition. – Glass Works Auctions | Auction 102

ArtistPalewtteInkwellOhrPlan_GWA102

[see above] George Ohr Pottery Artists Palette Inkwell, (Badders I-154), Mississippi, ca. 1890 – 1900, overall dark brown somewhat mottled glazed pottery of an artists palette complete with three brushes, two tubes of paint, four paint samples and a pot near the center which is the inkwell. The base is 7 1/2” by 6 1/2” in size, ‘G.E. Ohr’ in script is incised on the base. A very intricate and unusual piece of Ohr pottery that is in perfect condition. – Glass Works Auctions | Auction 102

Ohr_Biloxi_Inkwell

George Ohr Pottery Cabin Inkwell, Mississippi, ca. 1880 – 1900, mottled olive green glaze, 3”h, ‘G.E. Ohr / Biloxi’ impressed on the base, perfect condition. A classic Ohr Pottery cabin inkwell with windows, doors, stone chimney and roof opening, typical of Southern Mississippi cabins of the late 1800’s. – Glass Works Auctions | Auction 96

RedwareCampingTentInkwell_Ohr_GWA102

George Ohr Redware Camping Tent Inkwell, (Badders I-155), Mississippi, ca. 1885 – 1900, mottled brown and olive color glazed camping tent on a rough textured base, 2 1/2”h, 5 3/8” by 4 7/8” size of base, ‘Biloxi’ in hand written script is incised in the base. An in manufacturing base fissure exists. A very rare George Ohr inkwell. – Glass Works Auctions | Auction 102

GeorgeOhrRedwareInkwellCabin_GWA102

George Ohr Redware Cabin Inkwell, Mississippi, ca. 1890 – 1910, tan pottery with dark green glaze, 2 1/2”h, applied base has an impressed floral decoration, base measures 4 1/2” by 6 1/4” in size. ‘Biloxi’ in script is on the base. CONDITION: Perfect condition, and with exceptional detail. Ex. Bob Mebane Collection. – Glass Works Auctions | Auction 102

OhrInkwell_GWA102

George Ohr Redware Log Cabin Inkwell, Mississippi, ca. 1890 – 1910, yellow with spots of olive green color glaze log cabin, 2 3/4”h, 3 1/4” by 2 1/4” in size. ‘G.E. Ohr / Biloxi’ impressed on the base. CONDITION: Perfect condition. Traces of dried black ink are on the roof. – Glass Works Auctions | Auction 102

OhrCabon_Icollect

Extremely rare inkwell figural by the “Mad Potter” George Ohr of Biloxi, Mississippi. George Ohr who is believed to taken inspiration from the Kirkpatrick brother and created some of the most beautiful pottery that he chose to not share with anyone until after his death. Ohr was a very talented and unusual sole and earned the title of the “Mad Potter.” The intricate log home inkwell is made with a bisque type feel that is lightweight with a variegated green glaze. The piece is marked on the bottom with a block stamp imprint “G.E. Ohr/Biloxi”. – Rock Island Auction Company

Posted in Art & Architecture, Auction News, Figural Bottles, Folk Art, History, Inks, Pottery, Stoneware | Tagged , , , , , , , , , , , , , , | Leave a comment

The Union Spring Bottle

UnionSpring_GWA102

The Union Spring Bottle

Number 9 on the Bernhard Puckhaber list of the ‘Ten Most Wanted Saratogas’

19 June 2014 (updated with Union Spring info same day)

Apple-Touch-IconAThe other night, at the closing of Glass Works Auctions | Auction 102, I noticed this good-looking, Union Spring bottle with all of the other mineral water bottles from the Saratoga area of New York. What jumped out at me was the $6,000 hammer price (without 15% auction house premium). Seeing this, I had to find out why, so I checked the lot description:

161. “UNION / SPRING / SARATOGA. N.Y.” – (faint oval slug plate indentation), (Tucker, S-57), New York, ca. 1865 – 1875, emerald green pint, smooth base, applied double collar mouth.

CONDITION: Pristine flawless condition, hard to imagine a nicer one. In a 1973 publication by the Federation of Historical Bottle Clubs, the late Bernhard Puckhaber listed the ‘Ten Most Wanted Saratogas’. The Union Spring was number nine on that list. This example was in the collection of the late Stu Elman, which we auctioned in 1999. Since then, no other Union Spring bottle has come to auction. Ex. Stu Elman Collection. 

I find it extremely interesting to see pieces like this and to see the provenance. Of course, now I need to track down the other nine bottles on the list! I guess I better start with finding that list. I did search for information on a spring specifically called the Union Spring and came up empty handed until Marianne Dow provided a clipping (see further below). There probably was a Union Spring but I bet this bottle was related to the Grand Union Hotel in Saratoga Springs, New York.

The Grand Union Hotel

GrandUnionHotelSaratogaIllustrated

The Grand Union Hotel – Saratoga illustrated: the visitors guide to Saratoga Springs (1884)

The Grand Union Hotel was located on Broadway in Saratoga Springs, New York. The hotel began as a boarding house, built by Gideon Putnam in 1802, but grew into the world’s largest hotel, before it was demolished in 1953.

The initial draw to the area were summer vacationers attracted by the mineral spas. Over time this became a luxury hotel that catered to the wealthy elite. Renovations and expansions saw the hotel grow to serve over 2,000 guests as a destination resort. The Grand Union Hotel Stakes race was run at the Saratoga race track until 1958 and was named after this historic hotel. [Wikipedia]

Opera_House_Grand_Union

Opera House at the Grand Union Hotel, Saratoga Springs, 1865

I can easily imagine bottles of Union Spring being served to guests at the Union Hotel in 1865. Timing is dead on.

UNION SPRING

UnionSpringClip

Union Spring reference – American Chemist, 1873 & 1874

The spring is covered by a very tasteful pavilion, which will be noticed just east of the little stream, and in front of the large bottling house beside the grove. The Union Spring is a little northwest of the Excelsior, and but a few steps removed. This valley, in which these two springs are situated, was formerly known as the “Valley of the Ten Springs,” but the present owners, after grading and greatly beautifying the grounds, changed its name in honor of the spring to Excelsior Park. – Saratoga illustrated: the visitors guide to Saratoga Springs (1884)

UnionSpringDesc

Union Spring – Saratoga illustrated: the visitors guide to Saratoga Springs (1884)

*Picture at top of post courtesy Glass Works Auctions.
Posted in Auction News, History, Mineral Water | Tagged , , , , , , , , , , , , | Leave a comment

Lead-off Hitters in the Glass Works “Festival of Color’ Auction #102

Guyshott&Wilcox&Arthurs_Trio

Lead-off Hitters in the Glass Works “Festival of Color’ Auction #102

18 June 2014

Apple-Touch-IconAJim Hagenbuch, Glass Works Auctions chief, wisely led off with three spectacular pontiled medicine bottles in his Glass Works “Festival of Color’ Auction #102 that closed this past Monday evening. Lot #1 was a Dr. Wilcox’s Compound Extract of Sarsaparilla from Albany Glass Works in Albany, New York, Lot #2 was a Dr. Guysott’s Compound Extract of Yellow Dock & Sarsaparilla and Lot #3 was an Arthur’s Renovating Syrup. The window shots are pictured at the top of the post while the standard photographs and descriptions are recreated below. What spectacular bottles!

The other two bottles I particularly liked was the Jerome’s Hair Color Restorer (Lot #4), the Hampton’s Tincture (Lot #5), the Dr. J. W. Poland (L0t #6) and the labeled Rohrer’s bitters (Lot #20).

DrWilcoxsGWA102_3

1. “DR. WILCOX’S – COMPOUND EXTRACT – OF / SARSAPARILLA”, (Odell, pg. 372), Albany Glass Works, Albany, New York, ca. 1840 – 1860, medium blue green, 9 1/2”h, iron pontil, applied tapered collar mouth. A few very faint scratches are on the Dr. Wilcox’s panel. A rarely offered bottle, with crude pebbly glass, and a ‘must have’ for a pontiled medicine collection. Note the backward “S” in Wilcox’s. – Glass Works “Festival of Color’ Auction #102

GuysottsGWA102_3

2. “DR. GUYSOTT’S – COMPOUND EXTRACT / OF YELLOW DOCK – & SARSAPARILLA”, (Odell, pg. 156), American, ca. 1840 – 1860, yellowish olive amber, 9 1/2”h, pontil scarred base, applied tapered collar mouth. Bright pristine condition, crude pebbly glass, and in a rare color. This one has it all! – Glass Works “Festival of Color’ Auction #102

ArthursRenovatingSyrup_GWA102

3. “ARTHURS – RENOVATING – SYRUP. A & A”, (Odell, pg. 11), American, ca. 1840 – 1860, medium blue green approaching teal color, 7 3/4”h, iron pontil, applied tapered collar mouth. A pinhead in size flake is off the edge of the base. Attractive color, highly whittled glass, and considerably harder to find in this smaller size! Of the few we’ve seen, this one could be the best! – Glass Works “Festival of Color’ Auction #102

Posted in Auction News, Medicines & Cures, Sarsaparilla, Syrup | Tagged , , , , , , , , , , | Leave a comment