Small collection of 13 hat and salt (pontil) Whimseys

I like when I do a general post about a specific topic and I get comments and additional information and pictures. The beauty of this site and the digital age in general, is that I can update, modify and correct as I need to. This work is now archived for everyone forever. Once something is printed, it is cast in stone.

In this case, my post Toppin’ it off with a few Glasshouse Hat Whimsies generated the following from Mike in Maine. To me, it is like Christmas or my Birthday (uh..that’s tomorrow…send Bitters Bottles!) when I get new material! Look at these great E A R L Y pieces that make a rather nice group. I will add the Hats to the previous post, but I felt like these beauties needed to be nested together. Thanks Mike.

Ferdinand,

Liked the article on whimseys you posted. Have a bunch of pics… Small collection of 13 hat and salt (pontil) whimseys. See attached.

Mike in Maine

GIII-7 Hat Whimsey attributed to Boston & Sandwich Glassworks (1820-1840)

GIII-4 Hat Whimsey attributed to Boston & Sandwich Glassworks (1820-1840)

Stiegel type footed salt (1785-1800)

Diamond Daisy Pattern Salt - Stiegel (1790-1810)

Stiegel type footed salt (1785-1800)

GII-18 Hat Whimsey attributed to New England Glass Company (1830's)

GIII-7 Hat Whimsey attributed to Boston & Sandwich Glassworks (1820-1840)

GII-18 Hat Whimsey attributed to New England Glass Company (1830's)

GII-16 Hat Whimsey attributed to New England Glass Company (1830's)

GIII-3 Hat Whimsey attributed to Boston & Sandwich Glassworks (1820-1840)

Diamond Footed Salt - Stiegel (1790-1810)

GIII-23 Hat Whimsey attributed to Boston & Sandwich Glassworks (1820-1840)

Diamond Footed Salt - Stiegel (1790-1810)

Posted in Blown Glass, Collectors & Collections, Early American Glass, Figural Bottles, Glass Companies & Works, Glass Makers, Salt, Whimsies | Tagged , , , , , , , , , | Leave a comment

Chief Mike – Barber Shop Art & Collectables

I have to say, I meet some interesting people online through this site, the FOHBC site and the facebook bottle and glass sites. In this case it is Chief Mike Murro. Enjoy…

Barber-shopping for me started with shining shoes with my grandfather in a little town of Ludowici, Georgia…so I have been exposed to barber bottles – hair tonics – shaving mugs since the1960’s….

Although career-wise, my occupation is a marine engineer, as sail on a ship as chief engineer with weeks marine hence the name Chief Mike…we build beaches all over the United States….

My schedule is three weeks on the ship and three weeks home. So it gives me lots of time to hunt out barbershop treasures.

My main collecting interests, are label under glass hair tonics, shaving mugs but only those for the occupation of barber and I am sure my collection is the largest in that respect. Also have a large gathering of shoeshine items such as, signs, stands, mutoscope signs etc…

As a hobby, I buy-sell-trade & restore barber chairs, barber poles, for collectors and as eye candy for car collectors. Work 2-3 shows a year at the Barrett Jackson Auction with fantasy – pinup artist Greg Hildebrandt helping him sell his art work and offer my goods at the show too.

Tonics are for the intentions! Intentions of the evenings….

Visitors in the Longwood area are always welcome to pay a visit!!! as my house is a Barbershop Museum…..

See more of Greg’s art at Spider Web Art Gallery. My items are also in one of Gregs paintings…just so you see the connection…

Pinup artist Greg Hildebrandt piece with some of Chief Mikes barber shop items used as props.

Some of Chief Mikes collection:

Chief Mike – Barber Shop Art & Collectables

Shelf of label under glass Hair Tonics.

And to think this old cup was for soap! Barbers were not the usual folks to have their own shaving mug…so good examples are desirable.

Koken Back Station…Refinished and well stocked.

Cigar label…one of the rarest!

Straight razor display case

Proud barbers cup! Another fine example.

Tonsorial parlors stuff

Lug line up of Loken label under glass Barber Bottles

Chromo advertising page – with Ken Osteen.

Vegederma and Cybeline..the genie hair tonics!

Mineral Point, Wisconsin..reverse painted sign.

Oldie NY shop token! 1837

Fan hanger hair restorer sign Mrs. Allens – with Ken Osteen

Grand-daddy James Clyde Gordon giving a haircut to Alvin Young while J.C. Swindell sits in the opposite chair telling hunting stories…Ludowici, Georgia…Mr. Clyde had a 99 year lease on this barbershop for five dollars a month!…little uncle Johnny is in the background looking on… Waiting to sweep hair… Shine shoes…run errands… Child labor was a life saver for everyone..and dagd gum it ..it still is!!!!!!!!

Read more: Occupational Shaving Mugs

Read more: A Sampling of the Famous David P. Wilber Barber Bottle Collection

Posted in Art & Architecture, Barber Bottles, Collectors & Collections, Cologne, Ephemera, Hair Tonics, History, Shaving Mugs, Tonics | Tagged , , , , , , , , , , , , , , , | 2 Comments

Some Beautiful Carnival Glass Pieces

My experiece with Carnival Glass is limited based on just owning a few insulators that caught my eye over the years. I pictured my PYREX CD 233 to the left. The color is quite nice.

I did a Peachridge post earlier on Glasshouse Hat Whimsies (Read: Toppin’ it off with a few Glasshouse Hat Whimsies) and came across a Carnival Glass hat whimsey that I really liked and included in the article. I see this glass in the many antique shops I visit but usually bypass because of my hunt for Civil-War era glass.

Because of my lack of knowledge and desise to know more, I took a few moments to review Carnival Glass history on various web sites and have put together a few pictures of earlier and later pieces for comparison.

My passion for glass leads me in many directions sometimes, and away from my area of expertise. We need to broaden our horizon with glass history. I honestly can appreciate contemporary glass, early american glass, bottles, depression era glass and hope to visit the Getty Villa Museum soon to really see some ancient glass. Read more: Maryo Visit to the Getty Villa

Carnival glass has been known by many other names in the past: aurora glass, dope glass, rainbow glass, taffeta glass, and disparagingly as ‘poor man’s Tiffany’.

CD 118 No Embossing, This unique style is one of the rarest Hemingray carnival glass insulators produced. Of the handful still around, most are found with damage. This particular piece has been repaired. - Hemingray.info

Carnival glass is moulded or pressed glass, always with a pattern and always with a shiny, metallic, ‘iridescent’ surface shimmer. The keys to its appeal were that it looked superficially like the very much finer and very much more expensive blown iridescent glass by Tiffany, Loetz and others and also that the cheerful bright finish caught the light even in dark corners of the home.

Exquisite Carnival Glass Vase

Both functional and ornamental objects were produced in the carnival finish and patterns ranged from simple through geometric and ‘cut’ styles to pictorial and figurative. A wide range of colours and colour combinations were used but the most common colours accounted for a large proportion of output, so scarce colours can today command very high prices on the collector market.

Carnival glass has been known by many other names in the past: aurora glass, dope glass, rainbow glass, taffeta glass, and disparagingly as ‘poor man’s Tiffany’. Its current name was adopted by collectors in the 1950s from the fact that it was sometimes given as prizes at carnivals, fetes & fairgrounds. However, that can be misleading as people tend to think that all of it was distributed in this way but evidence suggests that the vast majority of it was purchased by the housewife to brighten up the home at a time when only the well off could afford bright electric lighting.

Some carnival glass is still produced today although in very small quantities. At the height of its popularity in the 1920s huge volumes were produced and prices were low enough for the ordinary home to afford.

Starting at the beginning of the 20th Century Carnival Glass was eventually produced on every continent except Africa and Antarctica but largely and initially in the U.S.. All the major European glass making centres except Italy produced some and it was very popular in Australia.

Carnival glass gets its iridescent sheen from the application of metallic salts while the glass is still hot from the pressing. A final firing of the glass brings out the iridescent properties of the salts, giving carnival glass the distinct shine it is known for.

History

Carnival glass originated as a glass called ‘Iridill’, produced beginning in 1908 by the Fenton Art Glass Company (founded in 1905). Iridill was inspired by the fine blown art glass of such makers as Tiffany and Steuben, but did not sell at the anticipated premium prices and was subsequently discounted. After these markdowns, Iridill pieces were used as carnival prizes.

Iridill became popular and very profitable for Fenton, which produced many different types of items in this finish, in over 150 patterns. Fenton maintained their position as the largest manufacturer and were one of very few makers to use a red coloured glass base for their carnival glass. After interest waned in the late 1920s, Fenton stopped producing carnival glass for many years. In more recent years, due to a resurgence in interest, Fenton re-started production of carnival glass until its closure in 2007.

Most U.S. carnival glass was made before 1925, with production in clear decline after 1931. Some significant production continued outside the US through the depression years of the early 1930s, tapering off to very little by the 1940s.

Often the same moulds were used to produce clear and transparent coloured glass as well as carnival versions, so producers could switch production between these finishes easily according to demand.

Colors

Carnival glass was made in a wide array of colors, shades, color combinations and variants. More than fifty have been formally classified. These classifications do not go by the surface colors showing, which can be even more varied, but by the ‘base’ colours of the glass before application of the iridizing mineral salts.

In order to establish the base color you have to find an area of the item which had no mineral salts applied, which is usually the base, and hold the item up to the light in such a way that you can see through that area. This is usually easy enough to do, but it can still be difficult for the inexperienced to differentiate the exact base color between the many possibilities as there are often only subtle differences, as well as variations.

The final (post doping) surface shades vary also according to the depth of base color as well as any special treatments and the type and amount of salts used. This last variable caused significant variation to occur even between batches of what should have been, essentially the same colour or colour-way. This happened most frequently in early production but to such an extent that collectors now differentiate between these items, describing the degree of iridescence showing.

The most popular color for Carnival Glass is now known by collectors as ‘marigold’ although that name was not in use at the time. Marigold has a clear glass base and is the most easily recognisable carnival color. The final surface colors of marigold are mostly a bright orange-gold turning perhaps to copper with small areas showing rainbow or ‘oil-slick’ highlights. The highlights appear mostly on ridges in the pattern and vary in strength according to the light.

Marigold carnival glass is the most frequently found color and in general commands lower prices in the collector market. However, variants of marigold such as those based on ‘moonstone’ a translucent white and ‘milk glass’ an opaque white base, can be more sought after. Other base colors include; amethyst, a reddish purple; blue, green, red and amber. These basic colors are then further delineated by shade; depth of color; color combinations such as ‘amberina’; color pattern such as ‘slag’; special treatments such as ‘opalescent’ and finally luminescence such as that given off by ‘vaseline glass’ or ‘uranium glass’ under ultra violet light (blacklight).

Shapes

Carnival Glass was produced in a wide variety of items, from utilitarian to the purely decorative. Even within groups of items a variety of shapes can be found with further variation in edging and bases as well as different treatments of the basic shape while still malleable fresh from the mould. For example, of three items coming from the same mould, one could be left as is, another folded inwards and the third splayed outwards. Edge styles varied from plain to include frilled after moulding, or pie crust, furrowed or bullet, as a part of the mould pattern.

The basic items produced included bowls, plates, vases, jugs or pitchers and tumblers but many other more specialised items of tableware were made also. These included large centre piece items such as jardinières and float bowls as well as smaller useful items such as butter dishes, celery vases and cruet sets. In smaller numbers and less often found are items to do with lighting or associated with smoking and those designed solely for show as ornaments such as figural sculptures or statuettes.

Patterns

Carnival glass was produced in large quantities in the US by the Fenton, Northwood, Imperial, Millersburg, Westmoreland, Dugan/Diamond, Cambridge, and U.S. Glass companies as well as many smaller manufacturers. Competition became so fierce that new patterns were continually being developed, so each company ended up making a wide range of patterns of most types adding up to a panoply of choice. By selling sample pieces to carnival fair operators, it was hoped that a winner would then go on to purchase further items in the same or a similar pattern. Pressed glass ‘blancs’ were bought in and iridized by third parties as well.

Different and in many cases highly distinctive carnival glass patterns were designed and by non-US makers, most notably by Crown Crystal of Australia, now famed for their depiction of that continent’s distinctive fauna and flora in their glass. Sowerby (England) are notable for their use of swan, hen and dolphin figural pieces in carnival finish as well as pieces which have figural parts such as bird figured legs. There is even a figural boat. Of their non-figural production, the strong, bold and easily recognizable ‘African Shield’, ‘King James’ and ‘Drape’ patterns provided a good canvas for shimmering carnival colours.

German production of carnival was dominated by the Brockwitz glassworks, with mainly geometric patterns which take their cues from cut glass. Other major European makers included Inwald (Czechoslovakia), Eda (Sweden) and Riihimäki (Finland). These again produced cut glass styles and simple geometrics with a few floral patterns. However, the most distinctive continental European patterns are probably the similarly styled ‘Classic Arts’ & ‘Egyptian Queen’, produced by the Czech Rindskopf works, sporting stained bands of figures over a very simple geometric form in a very even marigold.

In other parts of the world most notable are the Argentinian Cristalerias Rigolleau for their innovative and highly distinctive ash trays and Cristalerias Piccardo for their highly desirable ‘Jewelled Peacock Tail’ vase.  Finally, the Indian Jain company should not go unmentioned, notable for their distinctive elephant, fish and hand figural sections incorporated into the body of trumpet shaped vases and for their desirable and highly complex goddess vases.

Carnival glass is highly collectible. Prices vary widely, with some pieces worth very little, while other, rare items command thousands of dollars. Examples of carnival glass can be easily found in antique stores, and there is a very active market for it on eBay.

Identification of carnival glass is frequently difficult. Many manufacturers did not include a maker’s mark on their product, and some did for only part of the time they produced the glass. Identifying carnival glass involves matching patterns, colors, sheen, edges, thickness, and other factors from old manufacturer’s trade catalogs, other known examples, or other reference material. Since many manufacturers produced close copies of their rivals’ popular patterns, carnival glass identification can be challenging even for an expert. [source: Wikipedia]

Blue Carnival Glass Rooster Candy Dish - A beautiful blue iridescent carnival glass rooster candy dish that has been in the family for decades. My Mom, being the bird lover she was had this proudly displayed in one of her curio cabinets. The colors are just so gorgeous with finely tuned details specifically around the feathers and base of the piece. - Poetic Shutterbug

Pitcher and three tumblers from the Paneled Dandelion pattern by Fenton. The pitcher is 12 1/2" tall and each tumbler is 4" tall. Exotic pressed leaf design, with colors that change depending on the angle of the reflected light. Sometimes these pieces look blue, other times green, and sometimes marigold! - Replacements, Ltd.

Vintage Northwood Grape & Cable Standard or Table Water Set, 7 pcs, circa 1900 - 1940 - Bonanza

Carnival Glass Dish

The first featured carnival glass piece from our museum is a 3-toed bowl from the Grape and Cable pattern by Fenton Glass. 5” tall and 8 1/2" in diameter. Large leaves and a rope metaphor are featured as part of the design motif for this rare piece of art glass. - Replacements, Ltd.

Good Luck Carnival Glass Bowl detail - Ruby Lane

Northwood PEACOCK AT THE FOUNTAIN carnival glass pitcher, c. 1915 - Silver Quill Antiques

Fenton WATER LILY Vintage Marigold Carnival Glass Footed Sauce Bowl. Little marigold carnival glass sauce dish or bowl made by Fenton in the Waterlily pattern aka Lotus and Poinsettia. The dish is ruffled and stands on three ball feet. Beautiful iridescence more concentrated in the folds and center of the dish. Measurements: 6" wide and 2-1/4" tall - Ruby Lane

Vintage Indiana Glass covered canister manufactured in the Grape Harvest pattern. - The canister measures approximately 9 inches tall with the lid on. The opening across the top measures almost 6 1/4 inches. The container displays beautiful metallic iridescence on the teal blue base glass. - Jane K. Cleland

Collection of ten better pattern Carnival glass bowls - Auction of Estate Antiques 2004

Posted in Carnival Glass, Depression Glass, Dinnerware, Glass Companies & Works, Glass Makers, History, Insulators, Vases | Tagged , , , , , , , , , , , , , , , , | Leave a comment

A letter for Davenport’s Celebrated Jaundice Bitters?

A letter for Davenport’s Celebrated Jaundice Bitters?

26 May 2012

Ferd – Thought you would like the attached 1849 letter I recently added to my collection…from George Dixon in Dedham, Mass. to William Potter in South Dartmouth, Mass.

He is inquiring as to the stock of medicines that Potter has and includes a question about “[illegible] Bitters” but given the context of the letter I think he almost certainly means “Davenport’s Celebrated Jaundice Bitters.” See also the attached advertisement from the December 28, 1839 Hartford Times which shows that Dixon was sole agent in Massachusetts for Davenport’s products including the bitters. Feel free to share as you see fit. I love how postal history and bottle history can intertwine! Wondered….

1) if you have a Davenport’s bottle in your collection?

2) how it would stack up in the “what is our oldest bitters?” timeline given that it was being sold in the 1830s?

All My Best, Jim Schmidt

Visit Jim’s Civil War Medicine (and Writing)

Apple-Touch-IconAJim: I have not heard of a Davenport’s Celebrated Jaundice Bitters nor is there one listed in Carlyn Ring & W.C. Ham Bitters Bottles or Bitters Bottle Supplement. I would suspect the Jaundice Bitters reference might be to the J 25 JAUNDICE BITTERS, prepared by Thomas Hollis, Druggist and Chemist, 23 Union Street, Boston, Massachusetts. 4 x 1 1/2 x 7/8 Packaged Dry, Printed Wrapper on Box. on part of the rather long label under directions it says “An excellent beer can be made by infusing the Bitters in water, and adding molasses and yeast as usual” Yum… I wonder if Dr. Davenport repackaged this product with his name as your ad suggests?

Read More on the oldest Bitters: Constitution Bitters – The oldest Figural Bitters?

Read More on the oldest Bitters: Is the Cooley’s Anti Dispeptic Bitters our oldest Bitters?

[PRG: from Dear Old Greene County]

In Times of the Catskill Whig

From the Catskill Messenger, published by Ira Du Bois in 1830, a copy of which was preserved by the late Judson Wilcox, we are able to secure a number of interesting matters. The paper was 4 pages of 6 columns and the subscription price was $2.50 per year.

One of the most conspicuous matters advertised was Wheaton’s Itch Ointment, 25 cents, “Cures in an Hour,” The itch was called loathsome disease. Also a cure for “fever and Ague.”

Croswell and Brace, druggists, of whom we are able to present pictures, sold “Jaundice Bitter.” “Davenport’s Celebrated Eye Water,” and “Bilious Pills.”  Henry Mc Kinstry sold “Hygiean Medicine” which was guaranteed to cure Small Pox, Kings Evil, Apoplexy, Palsy, Consumption, and other ills including St. Vitus Dance. This medicine was alleged to have been recommended by a lot of Royal Eminent Gentlemen. $2.00 packet.

The shipping was done by Penfield and Day who operated the sloops Buck Tail and Shakespeare.

The streamers Champlain and North America between Albany and New York landed at Catskill running day trips and the Dewitt Clinton and the Ohio and Robert L. Stevens night line on same route did not stop at Catskill.

T. C. Atwater sold saw mill cranks, iron and steel.

Griggs and Bullock sold ploughs

J. W. Hunter sold crowbar drafts.

S. Bosworth and J. Gebbard sold satin beaver hats.

T. C. Atwater sold bark mills.

H. Comfort sold prepared floor plank.

Francis Sayre offered $1000 for any stove that beat his invention.

S. W. Bullock and Co. sold leather rollers.

Riesdolph and Van Kuren took care of the horse shoeing.

C. Trowbridge operated a soap and candle factory.

Thomas Reed taught a select school on William street, district school building.

The block of stores occupied by William L. Du Bois, Howard Smith, the Examiner and the old building on the Hasselman lot since remodeled, was built by Mackey Croswell, and the Croswells and Dr. Brace had their offices on Greene street. Here the first Catskill Packet was printed and this building was later moved to the corner where the express office now is where they opened a drug business. In 1822 they built the brick block, where they continued. Later Benjamin Wey and Wm. L. Du Bois at the same stand, Mr. DuBois over 61 years.

Newspaper advertisement for Jaundice Bitters

 

THOMAS BROWN& CO., at the GREEN STORE, Near the Capitol in Concord, N.H. Advertisement for Patent Medicines

Dr. D’s Celebrated Jaundice Bitters – image Jim Schmidt

Posted in Advertising, Bitters, Druggist & Drugstore, Medicines & Cures | Tagged , , , , , , , , | Leave a comment

Toppin’ it off with a few Glasshouse Hat Whimsies

There has been some interesting dialog over at Early American Glass on facebook prompted by a posting by Jeff Noordsy (visit Jeff and Holly Noordsy) of a rather nice Hat Whimsey (see green example that Jeff picked up at the Coventry show below).

I thought that it was high time that I look into this area a little deeper as I have always admired these gracious and sensual pieces of glass. It is also interesting to see how the glass hat whimsey has progressed through different periods of time. Seeing later Hobnail, Carnival, Windmill, Fostoria, Fenton and Murano pieces is really interesting.

The American hat is a fashion icon that may not ever have the prominence and stature it once had with men. Now it might be baseball caps though I do see a fresh fashion move with the generally hip crowd wearing hats but I think this is a momentary fad.

* Image update on 19 July 2012

Later Windmill Hat (left) and Hobnail Hat Whimsies


Glass House Whimsies are non-production glass items made by the glass workers on their own time, possibly for their own use and enjoyment, or to demonstrate their ability with glass, or as a special presentation item.

Blown Saratoga NY Hat Whimsey 1830 – EarlyAmericanGlass.net

[The Whimsy Club] Glass House Whimsies are non-production glass items made by the glass workers on their own time, possibly for their own use and enjoyment, or to demonstrate their ability with glass, or as a special presentation item.

Glass House Whimsies are often referred to as “End-of-Day” items. This terminology implies that the items have various colors because they were made with the scraps of glass left over at the end of the work day. It also implies that the item was made after the regular work day production was complete. Although this may be partly true, the glass used for making Whimsies was generally not an inferior glass and some items may have been made on the lunch hour. Whimsies were also made at the cut glass factories.

WHAT ARE GLASSHOUSE WHIMSIES?

GIII-25 Cobalt Blue hat. Blown three mold hat, probably produced at Sandwich, MA circa 1830s. – Michael George (BottleShow.com)

Glasshouse whimsies, being non-production items means they were not part of the glass factory regular production. In fact, other than the use of factory glass, the whimsies have no connection to the glass company or factory. The 19th century was the hey day for glasshouse whimsies, and it extended into the 20th century until machines finally took over production at all of the glass factories. When this happened, the glass was no longer accessible to the glass blowers.

These whimsical items the glass blowers made on their own time included canes, chain, hats, sock darners, doorstop turtles, bellows bottles, bells, witch balls, banks, powder horns, pipes, rolling pins, horns, and many more items. In fact, there are additional items coming to our attention every year. These include witch wands, gavels, screw drivers, pistols, and swords. Some of these whimsies may be made of clear or aqua glass. Others may be of a single color like amber or cobalt blue, while others may have many colors.

The many whimsies of aqua color (canes, witch balls, chain, etc.) were probably products of a window glass or bottle factory. Bottle glass was usually aqua due to the natural iron in the sand, which discolored the glass. Window glass may have been chemically treated to produce a somewhat clearer glass. Seldom was green, amber, cobalt blue or ruby red available to the workers of these bottle and window glass factories. The more colorful whimsey items may have originated in larger glass works which had many pots and possibly several colors available at one time. Glasshouse whimsies are referred to as Friggers in England and as End-of-Day in other areas.

Glass workers did not have time to amuse themselves with their creations during working hours. Pay scales were equated to the volume of the product or numbers of piece work. At some glass houses there were terms like “Turn” which meant you worked a certain length of time, which may have been four hours. During that “Turn” the shop had to produce a “Move” which equaled a certain number of items. The number of items for a “Move” was derived through negotiations between the union and the company. Workers working together enabled a shop to produce a “Move” in a “Turn”, thus preventing any work on personal creations, other than at lunch time or at the “End-of-Day”.

Glass workers had a difficult life, with the heat, the smoky, dusty, air and the pressure to complete a “Move” to make the maximum wage. The opportunity to make a useful item for home or just an attractive item for pleasure was one of the few benefits that had the owner’s consent. Even though the glass workers had unions, they were not able to acquire many benefits because the owners would stop production and close before giving in to union demands. This happened at Sandwich Glass Works in 1888.

A major problem the workers faced when they made a whimsey, was preventing someone else from taking it. The item had to be cooled in the lehr overnight, and whoever was first to get to work the next morning had the opportunity to grab the whimsey if he was so inclined. Some workers just expected their whimsies to disappear and were surprised when it was still there for them to have.

There are some types of whimsies being made today. Are these reproductions or just the present day workers demonstrating their ability with glass? What classifies a glasshouse whimsey as being reproduced? When does the apparent time period of “originals” cease and the time period of “reproductions” begin? All glasshouse whimsies are one-of-a-kind and therefore should be judged on their own individual quality and beauty and not necessarily on their age. This is especially important with glass, because it is very difficult to judge the age of a piece of glass.

Read More: Glasshouse Turtle Whimsies

Read More: Boys in Glass Houses – Taking on the Mannerisms of Men

Read More: Glass Works and Glass Factories – Hell on Earth?

A few pictures from a range of sources and time periods.

“Picked up this handsome hat at the Coventry Show this past weekend. My strong sense is that it is New York State and likely a Congressville made piece” – Jeff Noordsy (A later post on facebook after receiving a variety of comments: “Am I allowed to change my mind? Spent some time with this today and it’s more delicate than I would think of Congressville. You folks who guessed “Willington” are probably on a better track”)

Freeblown Hat Whimsey, golden olive amber, tubular pontil scar, 1 5/8″H x 4 1/8″ across the brim, tooled rim, mint. New England, probably blown at a Stoddard, NH Glass House, C. 1850. Although it is not heavily worn, this freeblown hat is DEFINITELY period and almost assuredly Stoddard or Keene, NH in origin. Hats of this general size, shape and construction are typical of Stoddard’s output, although they are a scarce item and nearly impossible to locate in the current market – Jeff and Holly Noordsy

American Blown Glass Hat Whimsy’s & Glass Christmas Lights, lot of 7, all clear blown glass, except one hat whimsy which is mold blown. Includes 5 Christmas lights with ground pontils, bulbous form; 3.25″, 3″, 2″, 2″ & 1.75″ high x 2.25″, 2.25″, 1.75″, 1.75″ & 1.25″ diameter; PLUS a blown glass top hat with ground pontil; 3.75″ long x 3″ wide x 2.75″ high; AND mold-blown hat with stop-fluted base; 4.25″ long x 4″ wide x 2.5″ high. – Cowan’s Auctions

Three Blown Glass Hat Whimseys. Attributed to Massillon, Ohio, mid 19th century. Amber. 3″, 3 1/4″, 3 1/2″h. – icollector.com

Hat Whimsey – Keene Glassworks circa 1825. GII.18, extremely rare in olive amber. Less than 1/2 dozen examples known – Daniel Baldwin

Three Whimsey Hats – The Whimsey Club

GIII-23 Hat Whimsey attributed to Boston & Sandwich Glassworks (1820 -1840)

BA-Dugan Circle Scroll JIP hat whimsey from tumbler – Carnival Glass Auction Extates

Two Blown Glass Hat Whimseys. Attributed to Massillon, Ohio, mid 19th century. Miniature amber, 2″h., and sapphire blue, 2 1/4″h. – icollector.com

Freeblown Hat Whimsey, golden olive amber, tubular pontil scar, 2 ¼”H and 3 5/8″ at widest point, tooled rim, mint. New England, almost certainly blown at a Stoddard, NH Glass House, 1842-1860, ex. Lyman and Sally Lane, ex. Woody Douglas. This exact hat is pictured as #5 in the top row of plate 2 in the book “A Rare Collection of Keene and Stoddard Glass.” We have owned and treasured this hat for roughly five years, having acquired the piece from Woody Douglas. It remains the best example of a Stoddard hat we have seen. – Jeff and Holly Noordsy

GIII-3 Hat Whimsey attributed to Boston & Sandwich Glassworks (1820-1840)

Whimsied from a Fenton Waterlily and Cattails marigold tumbler, this unusually shaped piece is one of just a couple known. – David Doty’s Carnival Glass

Miniature Hat Whimsey, aquamarine, pontil scar, 1 5/8″H, folded rim, a mint hat with some exterior “bloom” that resulted from the manufacturing process. American, probably blown at a South Jersey Glass House, C. 1850. This truly “miniature” hat is the smallest example I can recall seeing with a neatly folded rim. – Jeff and Holly Noordsy

Blown Glass House Whimsey, deep aquamarine, cylindrical with widely flaring brim, pontil scar, 5 7/8″H x 10″ across brim, outwardly folded rim, about mint (minor potstone radiation in shoulder). American, probably blown at a Southern New Jersey Glass House, C. 1850, rare size. This oversized hat is a superb example of the mid-Nineteenth century wares produced in the South Jersey (Germanic) tradition of glassblowing. Most likely blown using a dip mold typically utilized in making demijohns, this well-constructed piece would have served as both a whimisical and utilitarian purpose. – Jeff and Holly Noordsy

American Fostoria 10″ Whimsey Hat. Due to it’s size, could possibly be a one of a kind piece. Piece was acquired from an estate from the Moundsville, W.Va area, once home of the Fostoria Glass Co. Whimsey was probably made by a former Fostoria employee on his spare time. Not certain what mold this Hat could have been formed out of but I’m guessing either the Sweetpea Vase or one of the Centerpiece’s. Across the top at it’s widest point, Topper (Cowboy) Hat measures 10″ and across underside of the base it measures 6 1/4″. – eBay

A free-blown reddish amber bottle glass hat. Very similar to Whitney glass. I am sure it is an early south Jersey piece. 2 1/2″ tall by 2 3/4″ wide and 3 3/4″ long. – Jim Davies

An assortment of free-blown hats. All of them have some age to them but I really can not say where they are from. Old cobalt hats are hard to find – Jim Davies

Hat Whimsey, golden olive amber, two-piece mold cylinder with manipulated wide brim, pontil scar, 1 3/8″H x 3 ½” at widest point, mint. New England, probably blown at a Stoddard Glass House, Stoddard, NH, C. 1850. Of the few utility bottle hats we have offered over the years this is unquestionably my favorite. Hats of this type are quite rare and the extra wide brim on this example truly makes it “unique.”. Jeff and Holly Noordsy

American Whimsy Blown Glass Top Hat, early 19th century. Emerald green with slightly folded brim at sides, snap pontil, 4″ h. x 6.4″ long. These were made by many different American companies including Sandwich. – Live Auctioneers

Blown teal glass hat whimsey, 19th c., 2 3/4” h. – Live Auctioneers

Here is an early bowler’s hat, acquired from an old time collector in CT who acquired it from Gardner. I have since located it in Wilson’s book, fig. 94. One thing that is real neat about it is that it looks like it was German half post, or double-dipped… maybe to give it the bulbous form? – Michael George

Vintage Murano Glass Hat Whimsy – Planet Glass

Here is the hat made from the 12 sided bottle. This one belongs to the New Hampshire Historical Society. Great rarity! – Michael George

Hats off to ya fellas! – Michael George

The hat in front on the left was blown in the same mold as the utility bottle – Eric Correla

Nice NH piece made from a large utility bottle! – Michael George

Posted in Blown Glass, Collectors & Collections, Depression Glass, Early American Glass, eBay, Facebook, Figural Bottles, Freeblown Glass, Glass Companies & Works, Glass Makers, History, Whimsies | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Schnerr’s Wild Cherry Tonic Compound Bitters on eBay

Schnerr’s Wild Cherry Tonic Compound Bitters on eBay

24 May 2012 (R•041117)

Watching this oddball on eBay. I cleaned the pictures up as the background was a bit competitive with the nice bottle. With about 1 day left in the bidding, the bottle price has already surpassed the $1,000 mark. I bet the west coast guys are on this with the Sacramento city location.

[eBay description]

Very likely a “one of a kind” bottle. Very Rare,  C. Schnerr’s Wild Cherry Tonic Compound on a “recycled J. Hostetter’s stomach bitters bottle”. That’s right the front of this bottle is labeled while the back is a re-used Hostetter’s bottle. I have never seen another one like it!!. Bottle is sealed with contents still inside. Bottle has no chips or cracks and is a beautiful rare example of bitters bottle and their multiple uses. A real gem!! C. Schnerr’s MFG Chemists of Sacramento, California.

Schnerr’s Wild Cherry Tonic Compound Bitters – front label side – eBay

Schnerr’s Wild Cherry Tonic Compound Bitters – front label detail – eBay

Schnerr’s Wild Cherry Tonic Compound Bitters – HOSTETTER’S STOMACH BITTERS embossed side side – eBay

Schnerr’s Wild Cherry Tonic Compound Bitters – top view – eBay

Examples of different HOSTETTER’S STOMACH BITTERS – Meyer Collection


07 April 2017 (from Carol Guida)

Hi – I saw your post about the Schnerr’s Cherry Tonic bottle that sold on eBay. I am from California an stumbled upon a lot of information on the Schnerr Bottling Company while I was doing some research on the Carpenter Hotel (circa 1900) at Emigrant Gap. As far as I know, the hotel is no longer standing – but the owners of that hotel and the Emigrant Gap Hotel had a business and personal relationship with the owners of the Schnerr Company. I am wondering if the bottle was so expensive due to the scandals that surrounded the Schnerrs? I captured some of the Schnerr scandal and here is what I know (PS: I am a Sierra History buff and not a bottle collector but thought you might be interested in this history. Also – there is a lot of information here so at the end, I put in a short timeline):

THE CARPENTERS AND EMIGRANT GAP

The Carpenter Hotel was built by William Carpenter. William came to California 1852 and he had 740 acres of land in Emigrant Gap and 1700 acres near Truckee. He was a rancher and also had a home in Folsom area.

He died at his Folsom home in February 20, 1906 from a herromage. His daughter was Annie (see above article). His sons were William Jr. and George (see article above). William Jr. died of TB in Folsom in 1906.

Annie was married to Edward Schnerr of Sacramento on March 21 (or April 6), 1906, just one month after the death of her father and shortly after the death of her brother. Edward was 39 and Annie was 43 (a spinster). They moved into 2515 H St, Sacramento. None of William Carpenter’s children had children of their own.

Edward Schnerr lived in Sacramento and along with his brothers Antoine and Constant Jr, owned the Schnerr Bottling Company (inherited from their father in 1897). The first reference I have to the Soda Works company was before it was renamed to Schnerr. In 1890, it was called the Capital Soda Works company owned by Constant Schnerr Sr.

I recently received a copy of a receipt that shows that Schnerr and Company sold beer to the Emigrant Gap Hotel. It would be likely that his company could have been selling beer at the Carpenter Hotel as well. This could explain how Annie met Edward.

In 1907, Annie was awarded her father’s estate with property in 3 counties as the sole heir. She then deeded 1500 acres of land in Nevada County over to Mr. Cox, a friend and the administrator of her estate. The land was deeded with the understanding that she could reverse the deed at any time. She also purchased 4 additional pieces of property in Sacramento. That same year, Edward and his 2 brothers (Antoine and Constant) had their sister committed as an incompetent with a guardian placed over her. (Note: She had been committed before by her mother in 1901).

Annie died suddenly on October 29, 1908.

DIED.SCHNERR —Passed away at her late residence, 2515 H street, in this city, October 29, 1908, Anna E. Carpenter Schnerr. beloved wife of Edward Schnerr, daughter of the late William and Julia Carpenter, a native of Folsom, Cal. Friends and acquaintances are respectfully invited to attend the funeral from the family residence, 2515 H. Saturday morning at 9:30 o’clock, thence to the cathedral, where requiem high mass will be celebrated for the repose of her soul, at 10 o’clock.

Once Mr Schnerr inherited his dead wife’s family fortune (1909), He sold the house on H st to C. N. Post in November 1909.

He retired from his company (C. Schnerr and Company – Bottling Company and Soda Works) at about 43 years old in March of 1910.

Edward Schnerr remarried May 18, 1911 to a Mary Isabella Norton (19 or 20 years old to his 44), had 2 children (1912, 1913) and died in 1941. Mary was the daughter of Thomas Norton of Sacramento.

AND NOW IT GETS INTERESTING . . . .

While Annie was still alive, Edward was involved in a major scandal in February 1907 and his brother Antione involved in a divorce scandal in 1908.

Below are some of the newspaper articles about the scandals:

February 2, 1907 – Sacramento
ALLEGED BLACKMAILING SCHEME EXPOSED!

Miss Ethel Fair, Who Claims to be a Granddaughter of Late Senator, Tells Story. DR. F. STEELE UNDER ARREST

For the alleged threat to kill Miss Ethel Fair, who says she Is a granddaughter of the late Senator James G. Fair [NOTE: If she was she would have been an illegitimate daughter of Charles Lewis Fair – the senators scoundrel of a son], and who lives at 1016 ‘Twentyeighth street in this city, because she would not enter into his scheme to blackmail prominent business man of Sacramento and a respected woman, Dr. Fred Steele and his brother, Charles Steele, are in the city jail.

According to the story told by Miss Fair, Dr. Fred Steele, who has offices on K street, alone approached her with the blackmail proposition. Several months ago the brothers, Dr. Fred Steele and Charles Steele, according to the information gathered by the police and the city attorney, came to this city and represented themselves to be fortune-tellers and clairevoyants. They took office rooms and started out to forecast future events and made such good headway that they moved into the business section and started an office, the State Medical on K street, near Sixth.

Soon after the change in location, Miss Fair went to the offices to have her fortune told. Miss Fair, according to the story as told by her to the police, went to consult the doctor about certain litigation in the Fair estate, in which she Is interested. Dr. Fred Steele “told her fortune,” but omitted any mention of the litigation, saying he would tell her some other time, as he wanted to consult the spirits again. Accordingly, Miss Fair departed and a few days later called again to hear what the spirits had revealed to the clairvoyant, but on this occasion and many others during succeeding weeks he put her off with the same old excuse, that the spirits refused to “come through.”

Finally they received her answer, she says, but it was unsatisfactory, and to appease and placate her for the bad news, Dr. Steele told her be would secure for her a position In one of the local stores, where she would be able to earn her living and to live comfortably.
The same old story was handed out whenever she appeared in the office until last Sunday, when, she says, Dr. Steele made known to her the work he intended her to do.
Alleged Blackmail Scheme, His first scheme, the girl says, was to secure $15,000 from Edward Schnerr, a wealthy merchant. According to the programme, Miss Fair was to play the part of Dr. Fred Steele’s wife and then attract Mr. Schnerr’s attention and make arrangements to inveigle him into a lodging-house. The dummy husband was to appear in the room and by bluffing, and with the aid of Constable Tim Hagerty, secure $15,000 from Schnerrin order to keep the scandal quiet. Incidentally Hagerty, who Is well known In this city, solemnly and it is believed truthfully declares that he never heard of such a thing.
The next turn in the blackmailing line. Miss Fair told the police, was to be directed against Mrs. Perkins of this city. It was proposed with the aid of Miss Fair and the officer to get Mrs. Perkins into a compromising or embarrassing position and demand $l8,OOO to squelch the affair. Still Another Story. This was not all. After they should , have divided the proceeds equally in both cases, Dr. Steele and Miss Fair were to go to Los Angeles, where she said he knew a wealthy landowner. This time Miss Fair said she was booked to marry the millionaire, and Dr. Steele was to give her a slow poison to administer to the husband, and after his death, which would be accomplished within a few months with no evidence of the poison, the fortune was to be divided and Dr. Steele would disappear and Miss Fair could live on in the southern city in comfort and with a big fortune at her command. To all of these overtures couched, the woman says, in alluring language and with the temptation of positive security, she made emphatic refusal.

Then it was that Dr. Steele is alleged to have made the threat to kill her if she should tell of the schemes he had proposed. He took a revolver out of a side drawer, she said, and showing It to her said he would not only blow out her bralns, but kill Edward Schnerr as well. This all occurred, the woman explained, last Sunday in Dr. Steele’s office, and she left the place with his threat ringing in her ears. She told the police she worried about the threat and the blackmail scheme in which It was proposed to get the money from Mr. Schnerr. After two days’ study over it she decided to tell Schnerr of the proposal Dr. Steele made to her, and to put him on his guard against any such attempt.

When Mr. Schnerr had heard the startling story of the scheme to fleece him out of a small fortune he went to Chief of Police Denny and reported. Detectives Pennish and Ryan were detailed on the case, and after an Investigation arrested the Steele brothers, but have placed a charge against only Dr. Fred Steele.

Deplores Publicity. Miss Fair deplores the fact that the case has been taken to the courts, as she. In telling Mr. Schnerr, only wished to put him on his guard. She tells the story straight and said yesterday to the police that Dr. Steele told her the game was easy to turn, as he, with the help of another woman, fleeced a certain young doctor of this city out of $5000. The woman, he said, left for the east soon after the fleecing operation and she had $2500 in her purse as her share in the job. He told her there was no trouble in doing the work and it was perfectly secure, as he is too foxy to be caught. According to Miss Fair’s story, told to the police in the presence of Dr. Steele, he told her that Sacramento offered a fine field for such business and they could “skin*’ a large number here this winter. All she would have to do was to follow his instructions and then receive her portion of the spoils.
Steele’s Sweeping Denial. Dr. Fred Steele makes a sweeping denial of the whole affair, saying Miss Fair had been persecuting him for several months and when she left his office last Sunday she said she would have revenge for an insult he had offered her. His brother, Charles Steele, was released from custody yesterday, as Miss Fair said he was In no way, as far as she knows, connected in the proposed blackmailing scheme. The case came up In the city Justice’s court yesterday morning and was I continued until today on account of j the desire of City Attorney Howe to make a further investigation and secure some witnesses. The case as it stands at present consists of the startling accusations of Miss Fair and the sweeping denial Dr. Fred Steele. It will be up in the city court again today when Miss Fair will tell her story. She promises to tell all she knows and will not mince any of the details of the alleged transaction. She did not take part in having the matter investigated, but says now that it has gone this far . She will stand by her story told to the police. On the other hand. Dr. Steele promises to make a few startling on the line that the whole affair is the result of a desire for revenge on the part of Miss Ethel Fair.

February 5
MISS FAIR MAKES MODEL WITNESS Tells Again the Story of Dr. Fred Steele’s Alleged Threats —Courtroom Crowded and Case Continued,

The examination of Dr. Fred Steele was resumed in the city justice’s court yesterday. The courtroom was crowded to suffocation, and when the continuance for the day was taken at 5 o’clock the crowd had heard what it came to hear and went away satisfied, for Miss Ethel Fair told again and agrain under examination by the attorneys her story of how Dr. Steele made threats to take her life. The spectators did not come to the justice’s court to hear of the threats agalnst the life of Miss Fair, but did wanted to hear something about the proposal she alleges Dr. Steele made for blackmailing Edward Schnerr and Mrs. Perkins. Without a single hesitation or deviation from the story told by her as it appeared in The Union several days ago Miss Fair told her side of the case. At adjournment time the prosecution rested, having presented only one witness in support of its serious charges. Then the defendant, Dr. Steele, took the stand, but did not testify for the hour was growing late and he will be given a chance to place his version of the trouble before the court next Wednesday morning. The attorneys for the defense promise to place five witnesses on the stand. Some of these, It is said, will prove the good character of Dr. Fred Steele, while others, it Is said, will be put on for the purpose of discrediting the story told by Miss Ethel Fair.

An effort was made yesterday by Dr. Steele’s attorney to wring from Miss Fair all that happened on the occasion when she alleges Dr. Steele asked her to take part in the blackmailing scheme to get $15,000 from Edward Schnerr and $l8,000 from Mrs. Charles Perkins, but she stuck to her text and refused telling anything other than what directly applied to the charges she makes. At the conclusion of the case, as presented by the prosecution. Dr. Steele, through his attorney, moved for dismissal of the charge. This was refused by City Justice March and the defense will place its witnesses on the stand tomorrow. Dr. Steele promises a sensation when he has a chance to tell his story and hints that the startling exposures made by Miss Fair will sink tnto insignificance.

February 7. 1907

ETHEL FAIR NOT IN COURT Examination of Dr, Steeie on Charge of Threats to Take Life Concluded and Taken Under Advisement,

The preliminary examination of Dr. Fred Steele, who is charged by Miss Ethel Fair, who claims to be a granddaughter of the late Senator Fair, with threats against her life, was concluded in the clty justice’s court yesterday afternoon, and Justice March took the matter under advisement until next Monday morning at 10 o’clock. The principal witness yesterday was Charles Steele, clairvoyant and half-brother of the defendant. Charles Steele, under direct and cross-examination, told his version of the alleged threats against the life of Miss Fair, and also said that the charges that his brother had made proposals whereby Miss Fair was to enter into blackmailing schemes against Edward Schnerr and Mrs. Charles Perkins were false. He claims he was In the adjoining office two weeks ago when Miss Fair alleges Dr. Steele made the proposals and threats, and that ho did not hear a word of such proposals or threats. He went even further and testified that had anything of the kind been broached to Miss Fair by his brother he would have heard it. The witness occupied the stand during a greater part of the forenoon and for an hour in the afternoon session. Thls testimony was to the same effect as that given last Monday by Dr. Fred Steele, and consisted of a sweeping denial of all the charges. Several character witnesses were called on behalf of the defendant, but in most of the cases they failed in that role and were led to admit that they did not know anything about Dr. Steele’s reputation. George Bock and James Shlnkle said they had known Dr. Steele for several months, and always found him to be a gentleman, but had never heard his reputation discussed.

Constable Tim Hagerty was placed on the stand by the defense for the purpose of disproving that part of the story told by Miss Fair in which she said he was to enter into the blackmailing scheme to force Edward Schnerr to pay $15,000. Constable Hagerty said he had met Dr. Steele only a few times and all the reports that he and Dr. Steele had entered into an agreement to fleece Edward Schnerr were false. While his evidence was not material and had no hearing on the being held in the court, it was allowed for the purpose of clearing up the matter in connection with the alleged blackmailing programme. As was the case in the first two days of the examination, the courtroom was crowded to overflowing, not even standing-room remaining.

Nothing of a sensational nature was adduced, and the complaining witness, Miss Fair, was not in the courtroom, although she was waiting In the city attorney’s office. She appeared at the. city court unattended and quietly went to the inside office to wait for a call if wanted to take the witness stand. Those in attendance at the trial were unaware of her presence, and at the conclusion of the examination she departed as quietly a.s she came. Before leaving .she stepped into the courtroom and asked if it would be necessary for her to appear next Monday, and said: ‘‘My, I am awful glad this is all over, and I do hope he will not bother me any more.” She seemed to be laboring under suppressed excitement, until assured that no barm would come to her.

February 9 1907

DR STEELE HELD IN $500.00 BONDS City Justice March Felt the Story Told by Miss Ethel Fair That Her Life Was Threatened Was True.

To protect Miss Ethel from the threats against her life made by Dr. Fred A. Steele, the latter was yesterday placed under $5O0 bonds to keep the peace for six months, and in passing the judgment City Justice March warned Dr. Steele not to molest or bother Miss Fair in any way on penalty of the forfeiture of the bonds. Yesterday afternoon Steele had not provided the bonds, but his cash bail jof $500 was still In possession of the court clerk and will be so held until he provides bonds.

The trial of Dr. Fred A. Steele was held in the city justice’s court last week, and Miss Ethel Fair alleged that he had made threats to kill her if she told anyone of several blackmail schemes he proposed to have enter with him. It will be remembered that at the hearing Miss Pair said that one I Sunday afternoon while In Dr. Steele’s office he proposed that she play the part of his wife and then go out and make arrangements to meet Edward Schnerr, a wealthy merchant, in a lodging-house. The plan, she said, was to have Dr. Steele appear on the at the proper time. He was to represent a badly wronged man and to assuage his wounded feelings and the breaking up of his family the victim (Mr. Schnerr to be asked to provide salve to the tune of $15,000. (After this trick should have been turned), the girl said Dr. Steele assured her they could weave a tangle about Mrs. Perkins and secure $18,000 from her in order to keep a bogus scandal quiet. To all of these proposals Miss Pair said she would not listen and refused to have anything to do with them. She left the office In a rage and subsequently told the story to Mr. Schnerr. She said she told Dr. Steele what she was going to do he took a pistol from a drawer and threatened to kill her, and said he would also kill Mr Schnerr if she told him. Mr. Schnerr took the matter to the police and Dr. Steele’s arrest followed. In passing judgment City Justice March said he believed every word the prosecuting witness (Miss Fair) had said on the stand, but he was not prepared to say whether Dr. Steele had made the threats in a jest or really meant them.
I have not been able to find out anything else about what happened with the scandal, Mr. Steele or Ms. Fair except that if Miss Fair was the granddaughter of James G Fair, she would have been the illegitimate daughter of either James G Fair Jr who drank himself to death in 1892 or of Charles L Fair and Caroline Dexter Smith (aka Maud Nelson. Maud Ulman, Maud Thomas), a women of questionable repute who worked at a men’s resort in San Francisco before her marriage Charles and his wife were killed in a car accident in France in 1902.

ANTOINE’S SCANDAL

October 18, 1908
S. SCHNERR’S SIDE OF STORY Says She Is Victim of Conspiracy, and That Charges Are False, October 18 1908

Mrs. Alene Schnerr, wife of Antoine Schnerr,gives out the following statement: I “The charges of infidelity in the complaint of my husband are absolutely untrue and unfounded, and no one knows this better than my husband, and, when the case comes to trial, I will prove beyond all doubt that the said charges are unfounded; and further, that they were brought as a result of conspiracy on the part of my husband and his relatives to obtain possession of my separate property, and force me into relinquishing all claim to the same.
“I have placed my case in the hands of Messrs. Devlin & Devlin, my attorneys, and they have brought for me a suit for divorce against my husband based upon extreme cruelty. Doubtless, my husband, anticipating such a suit, filed his complaint first, but that will not make any difference, as I will prosecute the case I have , brought, and defend the case he has brought. “I have also brought a suit against him and secured an injunction from ; the superior court preventing him from assigning, transferring, or collecting certain notes and mortgages which he obtained from me by misrepresentation and fraud. “I inherited certain money from my father’s estate, and loaned out the same in my separate name, and with the interest which accumulated on said I loans, and also from other moneys of my own, made other loans, all in my own separate name.

“Last December my husband took a trip to Honolulu, and. as he was to be gone several months, he suggested ‘ to me that it would be advisable to assign the notes and mortgages to him, so that if anything should happen to me while he was gone, he would be able to secure the same without administration on my estate. He said that they would be kept in the safe deposit box to which I have access, and having full confidence and faith in my husband, I executed the i assignments referred to, but with no I other intent or purpose than that if anything should happen to me while he was gone he would be able to succeed to them without administration. “A few days ago he came to me and said that he was about to have the notes and mortgages renewed at a higher rate of interest, and that for this purpose it was necessary that I should indorse the notes over to him so as to facilitate the renewal thereof, and having faith and confidence in his statement, I indorsed the notes over to him.

Since that time I have learned that he did not intend to have the notes renewed in my name, but through the fraud and artifice that he employed, desired to have them renewed in his own name, and prevent me from enjoying my separate estate and property. “As soon as he accomplished his purpose of having all my property In his hands, he brought the suit for divorce, endeavoring to intimidate me. so that I would not seek to have my property returned.

“I do not intend to let him profit by the fraud and artifice which he has employed, but have brought suit to recover the possession of the notes and mortgages, and, as stated above, an injunction has been issued to prevent him from transferring or collecting the same, and all the parties who are indebted to me have been notified not to pay him.

“The basis of my complaint in the divorce is extreme cruelty.

“Last Thursday morning I was on Seventh street with a lady friend, when my husband and his brother,Edward Schnerr approached us and created a scene on the street in which I and my name were as viciously attacked by my husband and said Edward Schnerr, and they both threatened to drag me down; but I intend to have my good name sustained, get my legal rights, and have all my property restored.
Antoine’s wife won her suit for divorce in December 9 1908. I do not have her maiden name, so I do not know what happened to her after her divorce in October 1908.

In 1911, Antoine remarried Verda Simmons in Sacramento in 1911 (19 years old to his 37) and moved with her to Hawaii (he was bottling dairy cream at the time to ship from California to Hawaii). Antoine is buried in Hawaii though Verda does not have a death date on the gravestone.

In February 1908, the Schnerr bottling company got in trouble with the law for labeling beer bottles as soda bottles and selling them to an unlicensed hall. Here is the story:

BEER AT ART BOTTLED HERE Chief Sullivan Finds Dance Brand Is Put Up in Sacramento.The beer sold without a license over the bar at the Art dance hall bv Dick McCreadie and Joe Sullivan was bottled but not brewed in this city. Chief of Police Sullivan stated yesterday that he has information that the liquor was bottled at the Schnerr place, K street, Third and Fourth, and was put up by order of Dick McCreadie. The beer, he said. Was brewed by the Fredericksburg company. In order to deceive the police and the people the beer was bottled in soda water bottles, W’hlch were not labeled or marked In any way. The ice chest, in which the police found the beer, when they arrested McCreadie and Sullivan last Saturday night, also contained soda water bottled In the same kind of bottles. Chief of Police Sullivan has samples of both in his possession and he will use them as evidence when the case comes to trial in the city justice’s court.

After Edward Schnerr was awarded Annie’ estate, he filed a claim against Mr Cox to regain the 1500 or 2300 acres of property. He also sold off the property that Annie had purchased in Sacramento. He put the Carpenter Hotel up for a long term lease (Offered 1910, leased in 1912). Mr. Schnerr won the case against Mr. Cox in December of 1910.

In June of 1911, Schnerr Bottling Company (under the management of Constant Schnerr Jr) went under and was sold by it’s creditors.

Timeline.

1892 George Carpenter is murdered in Emigrant Gap (see murder most foul above)
1897 The Schnerr Brothers take over their father Constant Sr bottling company business
1903 The Schnerr Brothers mother dies
1904 William Carpenter’s wife dies of pneumonia
1906 William Carpenter dies suddenly of a hemorrhage
1906 William Carpenter Jr. dies suddenly of tuberculosis
1906 Annie Carpenter sole heir and spinster marries Edward Schnerr
1907 Annie inherits her family estate, buys property in Sacramento, deeds large property to estate executor with the condition that she can recall the deed an any time. The Carpenter Hotel is put up for lease.
1907 Edward gets involved in a major entrapment scandal where entrapment and poisoning is mentioned
1907 Edwards sister committed as an incompetent
1908 Mid October – Antoine gets involved in a divorce scandal over wife’s inherited property, Edward and Antione verbally attack Antione’s wife and the wife wins case
1908 Late October – Annie dies suddenly of an apparent heart attack, Edward discovers body
1909 Edward inherits Carpenter estate
1909 Edward sells Sacramento property
1910 Edward files case against executor deed and wins
1910 Edward retires, stating he has no responsibility or claims for Schnerr Bottling
1910 Edward again puts hotel up for long term lease
1911 Edward remarries 19+ year old in Sacramento
1911 Antione remarries 19 year old and moves to Hawaii
1911 Schnerr Bottling company gets sold by creditors
1912 Edward finds group to lease Carpenter Hotel at Emigrant Gap
1912 Edward has moved to San Francisco and Moss Beach and has first child

Posted in Bitters, Digging and Finding, eBay, History, Tonics | Tagged , , , , , , , , , , , , , | 5 Comments

Some nice Fruit Jars in the North American Glass Auction

Greg Spurgeon with North American Glass has some really cool fruit jars in his current auction. Many are recent finds. These are five of my favorites. Especially like the Louisville Glass Works jar. Check it out! Visit Auction

MILLVILLE ATMOSPHERIC FRUIT JAR in amber. Rare. This particular example is a fresh find, recently discovered during the clean-out of a residence outside of Milwaukee, Wisconsin. All previous known examples of this jar (around 12 jars) came from a single find, discovered during the clean out of another residence in the town of Milwaukee, back in the late 1960's. The former occupant had been a homeopathic physician, who had presumably special-ordered these amber jars from Whitall-Tatum for use in his medicinal business in the late 1800's. This one is in virtually attic-mint condition, even including the original sealing gasket - North American Glass

Sapphire blue MASON'S CFJCo IMPROVED quart, extremely rare, milk glass insert and a zinc screw band - North American Glass

THE WHITNEY MASON PAT'D 1858 quart in amber. Rare jar and a great looking example. In the standard aquamarine color this is a common jar, but only a handful of examples in amber are known to exist. It remains a mystery as to why a small number of these jars would have been manufactured in this unusual color - North American Glass

NE PLUS ULTRA BODINE BROS Circle & Square pint with pontil. Extremely rare in pint size. This example is fresh to the market and is being offered in the exact condition as it was recovered from a river in New Jersey 2 years ago. Could be professionally tumbled to near perfection by the new owner if desired, or left just as it is. In my opinion the jar displays perfectly fine just as found, and thereby can tell its own story. The color is a richer shade of aqua or blue-green - North American Glass

LOUSVILLE KY GLASS WORKS, quart, pontil, extremely rare. This jar was unearthed in Cincinnati just this spring, becoming only the second example known to exist. An important artifact from the earliest era of Louisville glass manufacturing. - North American Glass

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Visit to the Belmont Mansion – Nashville

Today I toured Belmont University in Nashville, Tennessee as part of a business project with my company FMG Design and had the good fortune to get a personal tour of the center-piece Belmont Mansion. I do not have pictures of old bottles and glass here today except for the formal dining room photograph, but I did quiz a few folks about campus building projects, excavations and locations for dumps on the campus. All well preserved, I can only wonder what may have been beneath my feet today. I kept hoping to ‘bump into’ a cache of Imperial Levee’s Adelicia Acklen brought back from one of her southern plantations. There is some great history here folks.

Belmont Mansion, also known as Acklen Hall, and originally known as Belle Monte, Belle Mont or Belmont, is a historic mansion located in Nashville, Tennessee on the campus of Belmont University that today functions as a museum.

Present day Belmont Mansion at Belmont University - Nashville, Tennessee

[Wikipedia] In 1849, Adelicia Hayes Franklin married Joseph Alexander Smith Acklen, a young attorney from Alabama, and they immediately began construction of Belle Monte (Belmont) on 180 acres (73 ha) in Davidson County. It was completed by 1853 as an Italian villa style summer home. Adelicia and Joseph used Belmont as a summer home to escape from the heat of Adelicia’s seven Louisiana cotton plantations, which totaled 8,600 acres. The Acklens built, furnished, and landscaped one of the most elaborate antebellum homes in the South, totaling 36 rooms and 19,000 sq ft. The estate contained a variety of buildings with the house adorning the top of the hill. Beside the house, there was a T-shaped guest house and art gallery. The south wing of the guest house contained guestrooms and a bowling alley. The art gallery had a corrugated glass roof and comprised the north wing. The grounds also included lavish gardens, conservatories, aviary, lake and a zoo. The conservatories housed tropical fruit and flowers along with camellia japonica, jasmine, lilies, and cacti. The zoo featured bears, monkeys, peacocks, singing birds, a white owl, alligators from Louisiana and a deer park. Covered balconies with cast iron railing and trim surrounded the house to protect windows from the sun. Atop the house, a ten-foot octagonal cupola vented the house during the summer months and provided an “astronomical observatory” used for viewing the stars, the estate and downtown Nashville.

Joseph and Adelicia had six children together, but their twins died of scarlet fever at the age of 2 in 1855. In 1863, Joseph died in Louisiana while watching over the plantations during the Civil War. Left alone, Adelicia secretly negotiated agreements with both Union and Confederate authorities to allow 2,800 bales of her cotton to be shipped to Liverpool, England, and sold for a total of $960,000.

Despite a two-week occupation by Union General Thomas J. Wood prior to the Battle of Nashville, Belmont Mansion and its contents went undamaged during the Civil War. Only the grounds, where thirteen thousand Union troops spent those first two weeks of December 1864, suffered damage.

Immediately following the war, Adelicia and her four children traveled to Europe. While there, she continued amassing her large art collection, including five major marble statues by America’s most important sculptors working in Rome. These including works by Randolph Rodgers, William Rinehart, Joseph Mozier, and Chauncey Ives. Four of these pieces remain in the mansion today. Adelicia was also presented at the Court of Emperor Louis Napoleon and his wife Empress Eugénie.

Months before her death, Adelicia sold Belmont, and the surrounding land, to Lewis T. Baxter for around $54,000. In 1890, it opened as a women’s academy and junior college. The school merged with Ward’s Seminary in 1913 and was renamed Ward-Belmont. The Tennessee Baptist Convention purchased the school in 1951, and created a four-year, coeducational college. In 2007, Belmont University separated from the Tennessee Baptist Convention. Today the mansion is owned by the Belmont Mansion Association and Belmont University while it is operated and preserved by the Belmont Mansion Association.

Gilt frame mirrors hang over marble mantels reflecting the elaborate gasoliers and elegantly furnished parlors. Much of the original Venetian glass still adorns the windows, doors, and transoms of Belmont. The Grand Salon is considered by architectural historians to be the most elaborate domestic interior built in antebellum Tennessee. The gardens are now maintained as part of the University campus, including five cast iron gazebos. The 105-foot water tower remains on the grounds and today serves as a Bell Tower for Belmont University. The Belmont Mansion was placed on the National Register of Historic Places.

Belmont Mansion was placed on the National Register of Historic Places in 1971.

This is the earliest known photograph made of the mansion and the grounds by A. S. Morse a photographer who worked in Nashville when the Federal troops occupied Nashville during the Civil War.

Acklen, Adelicia with horse Bocephalus, Artist: Cooper, William Browning - circa 1845

Adelicia Acklen, circa 1870 by Giers of Nashville

After more than a century in hiding, the Belmont Mansion’s formal dining room has been restored to resemble the room where Adelicia Acklen once hosted parties and ceremonial meals. The project took 12 years of research and restoration. Eight of the 18 seats around the formal dining room table are original chairs provided by the Acklen family.

“Entertaining was such an important part of 19th century life, and the dinner was the apex of entertaining,” said Belmont Mansion Executive Director Mark Brown.

Around at 1857 the Acklens built the conservatoires and green house shown in this ca. 1895 photograph. The Water Tower was design by Adolphus Heiman and built in 1857. The Windmill was added following the civil War to replace the steam engine which was used to pump the water to the tank on top of the tower.

This is a view from the front steps of the mansion, circa 1875 showing the water tower in the distance

About Belmont Mansion, Battle of Nashville Preservation Society and Lotz House

A National Historic Site since 1971, Belmont Mansion currently operates as a house museum, maintained by the Belmont Mansion Association. Belmont Mansion is open daily for guided tours, Monday-Saturday from 10 a.m. to 4 p.m. and Sunday from 1 to 4 p.m. For inquiries you may visit our website www.belmontmansion.com or call 615-460-5459.

The Battle of Nashville Preservation Society, Inc. is dedicated to the preservation of historic Civil War sites in Davidson County, Tennessee. The BONPS is a non-profit 501(c)(3) tax-exempt organization with open membership. BONPS has been instrumental in helping preserve Fort Negley, Shy’s Hill, Confederate Redoubt No. 1, and the Battle of Nashville Monument, among other sites. For more information visit: www.bonps.org.

The Lotz House Foundation is a 501(c) (3) organization dedicated to protecting, preserving and educating people on the history and culture of the historic Civil War Battle of Franklin, Tennessee in 1864. The foundation is committed to enriching lives through preserving the stories of the time along with the lifestyle, furnishings and fine art of the period. For more information visit: www.lotzhouse.com.

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Dr. Stephen Jewett’s / Celebrated Health Restoring Bitters / Rindge, N.H. on eBay

Dr. Stephen Jewett’s / Celebrated Health Restoring Bitters / Rindge, N.H. on eBay

22 May 2012

Apple-Touch-IconAJust lovin’ this Dr. Stephen Jewett’s on eBay. Great bottle, photographs and description. It closes later this afternoon, Let’s see where it settles. Worth every bit of what the seller (bottleninja) wants in my book.

STODDARD N.H., circa 1850 pre civil war, in excellent condition. Light color!

Up for sale! A very impressive early bitters for your consideration. This is a bottle that usually never becomes available for sale. Acquired from a New Hampshire collector / dealer. Originally owned by Boo Morcom. Offered hear is a prime example. Rectangular shape with wide beveled corners. 7 1/4″ tall. Embossed DR STEPHEN JEWETT’S / CELEBRATED HEALTH RESTORING BITTERS / RINDGE, N.H. Applied square collar lip with sharp edges, There is a minute, I say, minute amount of roughness, along a portion of the outer edge, some what typical for this type of closure in the manufacturing. I do not see anything distracting but certainly has to be mentioned. Small drip of glass were the lip is attached, to add to the character. The lettering is bold throughout, with out any high point ware. A very clean bottle that has not been tumbled. The base has a very impressive rough circular shaped pontil scar. Most of these Jewett’s in color I have seen have a iron pontil. The color is a lighter variant almost a delicate pitkin color. Very yellow amber with a good olive tone, almost like greenish straw, but a very light color that shows off all the whittle, and tiny seed bubbles. The bottle sparkles as the pics indicate.

Condition; there is a very small amount of ghostly exterior haze on the lower front panel and perhaps some very minor interior content remnants. This bottle has a lot going for it. A Classic New Hampshire piece, pontil, colored med. A lot of cool embossed on three panels. The Doc, the town, and the goods. Pontiled, and in super shape. Also to consider the lighter color, in a classic medicine form.

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Handsome Young Man in Uniform (Civil War?) with Fish Bottle

An important advertising card sold on eBay last evening for a surprisingly healthy $787.77 which shows the strong demand for pieces relating to the great bottles we collect. In this case it was a ‘Handsome Young Man in Uniform (Civil War?) with Fish Bottle’ as described on eBay. This caused quite a stir and was watched by many. I probably had a dozen or so reminders and prompts for the listing as some know I collect figural bitters and specialize in color runs. See: Meyer Fish Bitters color runs

Anyway, I assure you that the winning bidder will be happy to add this piece to his collection. Wouldn’t it be fun to find out that this was the blue example? Ha! Can pigs fly?

Uniform update from Ron Coddington: The gold borders of this carte de visite are consistent with Civil War images, and the soldier pictured here appears to be wearing a cavalrymen’s jacket. I’ve seen a number of images of soldiers posing with beer bottles, but not a bottle of this type. At first glance I thought the bottle had a candle sticking out, but it looks more like a tall cork.

Original antique Carte de Visite By "Traveling Artists" Peter & Kresge (probably from Pennsylvania) Handsome Young Man in Uniform (Civil War?) with Fish Bottle - eBay description

Reverse - Original antique Carte de Visite By "Traveling Artists" Peter & Kresge (probably from Pennsylvania) Handsome Young Man in Uniform (Civil War?) with Fish Bottle - eBay description

I sure would like to find a labeled example of a Fish Bitters that I have pictured below. These a simply great figural bottles.

The photos of the "Fish Biter" above are courtesy AntiqueBottles.com. Original label sold on eBay by adaman for $560 around 2005 reported by Reggie Lynch.

Posted in Advertising, Bitters, Civil War, Collectors & Collections, Color Runs, eBay, Ephemera, Figural Bottles, History, News | Tagged , , , , , | Leave a comment