“there’s a customer born every minute” – William Henry Harrison Flask Scam

UPDATED 10 September 2012

photo of P T Barnum by Charles Eisenmann

“there’s a customer born every minute”

PT Barnum

The bait

Theres a sucker born every minute”

I wanted to start off with a quote ‘Theres a sucker born every minute” that is often associated (incorrectly) to PT Barnum. When Barnum’s biographer tried to track down when Barnum had uttered this phrase, all of Barnum’s friends and acquaintances told him it was out of character. Barnum’s credo was more along the lines of “there’s a customer born every minute” – he wanted to find ways to draw new customers in all the time because competition was fierce and people could become bored easily.

Well this certainly happened today on eBay!

Actually, the phrase “there’s a customer born every minute” is more appropriate here because the SAME flask sold four times to willing “Customers” on eBay. Seems like Jeff Noordsy picked up on the scam first (as usual). I received a couple of, “hey look at this emails” but went out to cut the lawn . When I came back, I was flabbergasted to see what had happened. I put together a few screen shots, comparison photographs and links for you to peruse. I’m thinking of Shoeless Joe Jackson and “say it ain’t so Joe” now.

eBay Flask Listing


Antique William Henry Harrison A Extremely Rare Cobalt Blue Flask From 1800’s!!! eBay listing

SCAM ALERT posted on eBay on Sunday

Original Heritage Auctions Flask (in Aqua)

WH Harrison Exceedingly Rare Blown Glass Flask – Heritage Auctions Listing (as represented on Icollector.com)

facebook discussion

Facebook discussion today

Comparison images

WH Harrison Historical Flask. Same flask. Left is the real Aqua example that sold on Heritage Auctions. Right is the fraudulent blue example on eBay.

WH Harrison Historical Flask. Same flask. Left is the real Aqua example that sold on Heritage Auctions. Right is the fraudulent blue example on eBay.

WH Harrison Historical Flask. Same flask. Top is the real Aqua example that sold on Heritage Auctions. Right is the fraudulent blue example on eBay.

Posted in Advice, Auction News, eBay, Facebook, Flasks, Historical Flasks, News, Scams & Frauds | Tagged , , , , , , , | 3 Comments

Ice Cold Collectibles Illinois – Scott Terrell

I noticed a new facebook page called Ice Cold Collectibles Illinois last month developed by Scott Terrell. The graphics in particular on this cool Coca-Cola card pictured above caught my attention as Scott uses it as the primary art header on his page.

I really like Scott’s presentation of material. He has managed to include a nice assortment of historical photos, illustrations, advertising and pictures of himself and his Coca-Cola collection. Well done Scott. You obviously have the passion. I added a few of my favorite images from his page below. You really need to visit his FB page and LIKE as there is so much more. I see Marianne has already been there.

Photo of Scott Terrell, founder, Ice Cold Collectibles –  Aug 31 2012 – photo Ice Cold Collectibles Illinois

My Coca-Cola bottles. All Before 1923 – photo Ice Cold Collectibles Illinois

1940s Coca-Cola Ad – photo Ice Cold Collectibles Illinois

Utica Coca-Cola Plant – photo Ice Cold Collectibles Illinois

1920s Coca-Cola festoon – photo Ice Cold Collectibles Illinois

A young boy selling Coca-Cola from a roadside stand. Photograph by Alfred Eisenstaedt. Atlanta, Georgia, 1936. – photo Ice Cold Collectibles Illinois

1930s Coca-Cola delivery men – photo Ice Cold Collectibles Illinois

1910s Coca-Cola Plant Fayetteville, North Carolina – photo Ice Cold Collectibles Illinois

Coca-Cola Plant Tampa, Florida, 1910s – photo Ice Cold Collectibles Illinois

1920 Coca-Cola babes – photo Ice Cold Collectibles Illinois

Posted in Advertising, Advice, Bottling Works, Cola, Collectors & Collections, Ephemera, Facebook, History, Photography, Soda Bottles | Tagged , , , , , , , , , , , | 1 Comment

Colorado Area Saloons – Color & Grit

“Giving up drinking is the easiest thing in the world. I know because I’ve done it thousands of times.”  Mark Twain

I want to continue the series of follow-up posts to the recent Minnesota, Wyoming and Utah galleries on saloons and drinking. See my partial list at the bottom of this post. Here today, we look at some interesting historical saloon pictures, related bottles and ephemera from Colorado.

Western whiskeys. Color and texture make these unembossed bottles great sun catchers. – Utah Antique Bottle Cliche

Miners drinking in a Colorado saloon, 19th Century.- Courtesy of Colorado Historical Society

An incredible selection of rare, high-end western whiskey bottles and historical flasks sold previously by American Bottle Auctions. Some of the whiskeys are the most desirable specimens known.

1881 Bird’s Eye View of the City of Denver, Colorado. Drawn by J.H. Flett. – From the Library of Congress Map Collection.

GUN WA’S CHINESE REMEDY FOR FEMALE WEAKNESS–WARRANTED ENTIRELY VEGETABLE AND HARMLESS from Denver, Colorado. The bottle dates from 1888-to the early 1890s. William Hale immigrated from Ireland in 1888 to Denver, Colorado and opened the GUN WA HERB AND REMEDY CO. at 1629 Larimer St. Hale expanded his business and relocated to the Croff and Collins building at 1646-1650 Larimer. Later he was indicted on mail fraud charges and mailing pornographic materials. He fled to England to avoid prosecution.

Trade Card: One side advertises FRONTIER HOUSE, West Las Animas, Colorado. Capt A.L. Gilbert Propr. “A First Class Bar in Connection with the House.” The opposite side lists Capt. A.L.Gilbert’s Ten Commandments A sampliing follows: 1. When thirsty, thou shalt come to our house and drink.VI. No singing. Thou shalt not raise thy voice in song or feet in gayety. VII. Thou shalt not dare to pay thy bills in bad money nor ever say “Slate or Chalk”…. A fine bit of cowboy ephemera. – Cowan’s Auctions

Look no doors. Always open. The Holy Moses Saloon in Creede, Colorado in 1890.

Color label for qt. bottle. “Old National Whiskey”, a Bald Eagle grasping a shield. A Louisville, KY whiskey sold by “Henry Coby, Colo. City, Colo.” Pre-1920,

Arcade Saloon, Eldora, Colorado 1898, courtesy Denver Public Library

Set of 8 Al S. Lamb druggist bottles, Aspen, Colorado. Hand-blown bottles ranging in size from the 1 ounce to the 32 ounce size. Figural of lamb on each bottle. Overall condition: very good to near fine. W.T. Co. glass company. Patent date 1894. Al Lamb came to Aspen, Colorado in 1886-1887 and started the Lamb Drug Store. It soon became a focal point for friendly meetings and town politics. Lamb’s business was so successful — in the good years — he remained in business until his death in 1940. His drugstore was located on Hyman Avenue; residence at 2nd and Lake Avenue, Aspen. – Mt. Gothic Tomes

Meeker, Colorado Saloon, 1899.

FOR PIKE’S PEAK flasks with walking man/prospector above flattened oval –  This is McKearin & Wilson classification #GXI-30. Celebrating the gold rush to Colorado in 1859, these popular flasks were made throughout the 1860s and possibly into the early 1870s. This a very nice, clean, blue aqua example with the typical applied “champagne” style banded finish common on flasks made at various Pittsburgh, PA. glasshouses – where the majority of Pike’s Peak flasks were made.

Pike’s Peak Railroad (vs Mule) – Late nineteenth century boudoir sized cabinet card photograph showing a locomotive and passenger car of the Manitou & Pike’s Peak Railway and also a donkey or mule loaded up with gear on its back. The mule symbolizes the earlier means of traveling up Pike’s Peak which would have been a long and arduous journey by mule as experienced by Zalmon Simmons, inventor and founder of the Simmons Beautyrest Mattress Company. On his first trip to Pike’s Peak in the late 1880’s Simmons traveled there by mule, an experience which was the inspiration for his providing funding for the development of the Manitou & Pike’s Peak Railway Company and the construction of the cog railway. In the cabinet photo the words “The old way” are printed in the negative under the mule and the words “And the new” are printed under the locomotive. Printed in smaller letters in the negative also just above the load on the back of the mule are “I helped to build Pike’s Peak Railroad.” Printed in the negative at the lower right are: “Summit Pike’s Peak, 14,147 Feet” and at the lower left “Hook Photo”. Imprinted in the margin to the left of the image is, “The W. E. Hook Wholesale View Co., Colorado, Springs, Colo” which refers to the photographer William Edward Hook (1833 to 1908) who photographed Native Americans, views at Yellowstone, railroads, mining, Colorado Springs, and Colorado scenery.

1890 Trinidad. Las Animas County, Colorado Saloon

Blake Street, Denver – 1866 (looking toward 16th (G) Street – Denver Public Library. Charles Eyser Boarding House and Saloon (1526 Blake Street) shown with the 2nd floor balcony and covered wagon in front.

Historic Saloon, Blair Street between 12th and 13th, Silverton, Colorado

The Silver Dollar Saloon (far left) is Denver one of the many buildings rebuilt in 1899 following a fire that destroyed most of downtown. Starting out as a haberdashery, its upper floors housed medical offices. At the height of the Art Deco era, the first floor was transformed into a saloon. The owners spared no expense in order to attract patrons, as evidenced by the surviving Can Can stage, dining booths, bar stools, counter and mural. One of only two stone buildings in the mostly brick downtown National Register district, the saloon retains an incredibly high level of integrity, with architectural features such as a boxed cornice, molded frieze and a battlement parapet.

Aspen, Colorado Saloon, 1890, The B.T. Pearce & Co. Saloon is photographed. Note the Denver Brewing Company wagon in foreground.

Black Jack’s Saloon, Steakhouse & Inn, Trinidad, Colorado – The building that is now Black Jack’s is located at the left of the picture, where is has a sign that reads Atlantic Saloon, one of many in our buidling thru out the history of historic doentown Trinidad. The second floor was added in 1901 and it is told to us by those still in the know that it was indeed a brothel…Come to Trinidad and look at all the historic builidng in our downtown and let your imagination wander to what it must of been like in the “old days”

Men play Faro in Leadville, Colorado in the 1800’s – Leadville, Colorado, often called “The Two Mile High City” and “Cloud City,” is the highest incorporated city in the world at 10,430 feet. Located at the foot of two of Colorado’s highest peaks – Mt. Elbert and Mt. Massive, Leadville is one of America’s last remaining authentic mining towns.

Saloon Block Main Avenue Durango, Colorado, Cyanotype of First National Bank on northwest corner of 9th Street and Main Avenue. Colorado State Bank on right edge. Electric trolley; horse and buggy; dirt street. Saloon Block – West side 900 Block. “This is Main Avenue…” in ink on back. – The Animas Museum or the LaPlata County Historical Society

Saloon at 1197 West Alameda Avenue in Denver, Colorado, 1910.

Read More: Historic photos of saloons and breweries around Utah in the Wild West days

Read More: Photographs of People Drinking

Read More: Photographs and Images of People Drinking – Part II

Read More: Photographs and Images of People Drinking – Part III

Read More: Photographs and Images of People Drinking – Part IV (Brewing)

Read More: Saloons and Establishments from Yesteryear

Posted in History, Photography, Publications, Remedy, Spirits, Whiskey | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

If you wanna hang out you’ve got to take her out – Cocaine

C  O  C  A  I  N  E

“Nobody saves America by sniffing cocaine. Jiggling your knees blankeyed in the rain, when it snows in your nose you catch cold in your brain.” – Allen Ginsberg

The Lure

Not sure why I ended up here today. I may have thought of my BURDETTE’S COCOAINE (yes I spelled that correctly) bottle my brother Charles gave me years ago, before I started bottle collecting and losing my hair, or looking at some of the turn of the century celebrity photography by Napoleon Sarony earlier today (Read: The great work of Sarony, Major & Knapp Lithographer – New York). Anyway the winds changed and prompted a search for vintage cocaine advertising and related material. Nothing about cocaine could start without these lyrics which sound in my mind now.

The Song

If you wanna hang out you’ve got to take her out; cocaine.
If you wanna get down, down on the ground; cocaine.
She don’t lie, she don’t lie, she don’t lie; cocaine.
If you got bad news, you wanna kick them blues; cocaine.

When your day is done and you wanna run; cocaine.
She don’t lie, she don’t lie, she don’t lie; cocaine.
If your thing is gone and you wanna ride on; cocaine.
Don’t forget this fact, you can’t get it back; cocaine.

She don’t lie, she don’t lie, she don’t lie; cocaine.

Eric Clapton Cocaine Lyrics

BURNETTE’S COCOAINE, Two different sizes of the Burnett’s hair bottle. Both in aqua. Utah Antique Bottle Cliche

Hand Made Cuff Links fro Berlin for Burdette’s Cocoaine

The Promise

This sweating, anxious fellow, fidgeting with his hands, can’t wait for a dose of Pepto Cocaina to help that food go down

Cocaine is a highly addictive central nervous system stimulant extracted from the leaves of the coca plant, Erythroxylon coca. Coca leaves, the source of cocaine, were used by the Incas and other inhabitants of the Andean region of South America for thousands of years, both as a stimulant and to depress appetite and combat apoxia (altitude sickness).

Metcalf’s Coca Wine, Coca wine combined wine with cocaine, producing a compound now known as cocaethylene, which, when ingested, is nearly as powerful a stimulant as cocaine.

Despite the long history of coca leaf use, it was not until the latter part of the nineteenth century that chemist Friedrich Gaedcke first extracted the active ingredient cocaine hydrochloride from the leaves. The new drug soon became a common ingredient in patent medicines and other popular products and was soon sold over the counter in many forms at pharmacies until 1916. Sigmund Freud even described it as a “magical drug”.

Pemberton testimonial to the nerve stimulant properties of the coca plant

Coca Cola – “It satisfies the Thirsty and Helps the Weary” advertising

Crazed? Everyone wants a Coca-Cola in this vintage photograph

In the late 1800’s, and Early 1900’s, cocaine also was given to dock worker to help them work longer hours. During early attempts of the prohibition of alcohol, many encouraged people to drink cocaine, as a medicine or in the form of the fountain drink Coca-Cola. Some might try to downplay this now by saying it was in small amounts though cocaine was pretty much the main ingredient. This widespread use quickly raised concerns about the drug’s negative effects. In the early 1900s, several legislative steps were taken to address those concerns including the Harrison Act of 1914 which banned the use of cocaine and other substances in non-prescription products. In the wake of those actions, cocaine use declined substantially.

On this promotional paperweight, a German company boasts of being the “largest makers in the world of quinine and cocaine”

WineOfCocaAd

Wine of Coca advertisement – The Medical Directory of the City of New York – 1886

The Harrison Narcotics Tax Act

The Harrison Narcotics Tax Act (Ch. 1, 38 Stat. 785) was a United States federal law that regulated and taxed the production, importation, and distribution of opiates. The act was proposed by Representative Francis Burton Harrison of New York and was approved on December 14, 1914.

“An Act To provide for the registration of, with collectors of internal revenue, and to impose a special tax on all persons who produce, import, manufacture, compound, deal in, dispense, sell, distribute, or give away opium or coca leaves, their salts, derivatives, or preparations, and for other purposes.” The courts interpreted this to mean that physicians could prescribe narcotics to patients in the course of normal treatment, but not for the treatment of addiction.

Although technically illegal for purposes of distribution and use, the distribution, sale and use of cocaine was still legal for registered companies and individuals.

Vintage print ad for Vin Mariani. Image from cocaine.org. – Launched in Europe in 1863, the wine was launched by Corsican chemist and entrepreneur Angelo Mariani. After gathering information about the Inca and its love of coca, Mariani took up horticulture and began to grow the sacred Andean leaf in his backyard. Ingeniously, he sent samples of his new wine to famous people world wide in search of endorsements.Mariani’s outreach paid off: the businessman received glowing testimonials from the likes of Emile Zola, Thomas Edison, Buffalo Bill Cody, and even U.S. President William McKinley, Queen Victoria and three Popes. In 1885, when Ulysses Grant was in his final death throes and suffering from throat cancer, he drank coca wine. Reportedly, the treatment helped soothe his pain.

Pope Leo XIII purportedly carried a hipflask of the coca-treated Vin Mariani with him, and awarded a Vatican gold medal to Angelo Mariani. – Wikipedia

The Demise?

Cocaine seemed to be fazed out of the main stream by the 1930’s with the first drug laws and racial stereotypes of the drug. The drug culture of the 1960’s sparked renewed interest in cocaine. Eventually the drug made a comeback in the late 60’s and 70’s as a drug for the upper class. Cocaine seemed socially acceptable.

With the advent of crack in the 1980s, use of the drug had once again become a national problem. Cocaine use declined significantly during the early 1990s, but it remains a significant problem and is on the increase in certain geographic areas and among certain age groups. A mid-1990s government report said that Americans spend more money on cocaine than on all other illegal drugs combined.

The Children

Lloyd Cocaine Toothache Drops – In the US, cocaine was sold over the counter until 1914 and was commonly found in products like toothache drops, dandruff remedies and medicinal tonics.

Cocaine was legal, even as late as this ad above (1885), and was not considered harmful in moderate doses. Many other drugs, now restricted by law, were also legal then, including opium, which was sold under city permit on the streets of Victoria.

In the nineteenth century many substances were used as medicines, some of which are now known to be harmful over the long term, such as mercury and lead. “Patent medicines”, like these Cocaine Toothache Drops, were very popular and required no prescription; they were indeed “For sale by all druggists.”

By the 1860s, the practice of medicine was going through many changes. The germ theory of disease was a controversial idea and not yet widely accepted. The first of the general anesthetics , chloroform and ether, had recently become available, making surgery potentially life saving rather than life threatening, though the routine use of antiseptics was still some years in the future.

Many medical practitioners still subscribed (at least in some form) to the ancient theory of the “four humors” developed by the Roman physician Galen (131-199 AD). According to this theory, the body is made up of four humors – blood, phlegm, black bile, and yellow bile. The relative amounts of each humor in the body determined state of health and temperament (a person with more blood was “sanguine”; with more phlegm “phlegmatic”; with black bile “melancholic”; and if yellow bile predominated, “choleric” or “bilious”). Too much or too little of any humor was said to cause illness, which could be cured by restoring the balance. Many nineteenth century medicines and practices were intended to do this. [source University of Victoria]

AYER’S CHERRY PECTORAL’S “magic” was in fact, due to its narcotic component, an opium derivative which at the time was a legal ingredient frequently used in medicines and available without restrictions. Ayer’s popular remedy received global acclaim, and was even shipped in special “ornate boxes” to foreign dignitaries. When James Cook Ayer retired in the early 1870s, he had acquired a vast fortune from his patent medicine industry and was considered the wealthiest manufacturer of patent medicines in the country.

Images: The Culture

1895 Ad: Burnett’s Cocoaine For The Hair – Burnett’s Cocaine for the hair. Cures dandruff, soothes all irritation of the scalp, makes the hair grow and gives a beautiful lustre. Price 50c and $1.00 per bottle. Send your address for our pamphlet on the hair. Its care and management. Joseph Burnett Co., Boston.

New Cure for Drunks – TAWNY COCAINE PORT wine, Dr. Harold Boggs, Founder

Early Coca-Cola advertising. No hiding of the primary ingredient in the name.

Posted in Advertising, Cola, Druggist & Drugstore, Ephemera, Hair Tonics, History, Medicines & Cures | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The great work of Sarony, Major & Knapp Lithographer – New York

The great work of Sarony, Major & Knapp Lithographer – New York

06 September 2012 (R•01Oct13)

Apple-Touch-IconAWhen looking at the great antique bottle brands, I periodically come across some great lithography used to market the product. I guess my favorite is the Old Sachems Bitters (Read more on Old Sachems Bitters and Wigwam Tonic) with the Native American Indian chief. The lithography was done by Sarony, Major & Knapp Lithographers New York. They were also responsible for most of the great Bininger art (See more Bininger art) and the recent S. S. Wyckoff post (See S.S. Wyckoff Bitters) I developed yesterday.

Sarony&Co

The sheet music art then was the record album cover art that was so popular in the 20th century.

Sheet Music, 1850 – Mermaid Polka. Lith. of Napoleon Sarony, 1850. [H. D. Hewitt]

Popular product brands, portraits and sheet music covers seemed to be represented in most of the art I could find. America during this time period had an immense thirst for patriotism, music and celebrities based on the events of the day. The sheet music art then was the record album cover art that was so popular in the 20th century. You have to be dismayed that some of these artistic expressions are a dying art in the era of digital transmissions, clip art and instant photography as most of us have cameras on our phones.

I have put together some information on primarily Napoleon Sarony, the Sarony, Major & Knapp Lithography studio and some of their wonderful art. Killer in every respect.

Napoleon Sarony

Napoleon Sarony (1821 – November 9, 1896) was an American lithographer and photographer. He was a highly popular and great portrait photographer, most known for his portraits of the stars of late-19th-century American theater.

Napoleon Sarony – Self Portrait, date unknown

Sarony was born in Quebec in 1821 and moved to New York City around 1836. He worked as an illustrator for Currier and Ives before joining with James Major and starting his own lithography business, Sarony & Major, in 1843. In 1845, James Major was replaced by Henry B. Major in Sarony & Major and it continued operating under that name until 1853. From 1853 to 1857, the firm was known as Sarony and Company, and from 1857 to 1867, as Sarony, Major & Knapp. Sarony left the firm in 1867 and established a photography studio at 37 Union Square, during a time when celebrity portraiture was a popular fad. Photographers would pay their famous subjects to sit for them, and then retain full rights to sell the pictures. Sarony reportedly paid famed stage actress Sarah Bernhardt $1,500 to pose for his camera, the equivalent of more than $20,000 today. [reference Wikipedia]

Napoleon Sarony. Sarah Bernhardt as Cleopatra, 1891

The Studio

Advertisement for Sarony’s Photographic Studies, New York City, Gilman Collection, Joyce F. Menschel Photography Library Fund, 2005, The Metropolitan Museum of Art

“Glare, bareness, screens, iron instruments of torture, and a smell as of a drug and chemical warehouse on fire in the distance. A photographer’s operating room is always something between a barn, a green-room, and a laboratory”

In late 1871, Sarony moved his studio to 37 Union Square where it occupied several floors above the ground level. Rental on the Union Square building was $8,000 a year (an equivalent of over $116,000 in year 2006). Customers rode a small slow-moving hydraulic elevator up from the street level to Sarony’s reception room located on the fifth floor. Richard Grant White, writing for the Galaxy magazine described Sarony’s studio as “Glare, bareness, screens, iron instruments of torture, and a smell as of a drug and chemical warehouse on fire in the distance. A photographer’s operating room is always something between a barn, a green-room, and a laboratory” (from “A Morning at Sarony’s” in Galaxy, March 1870, p. 409.) The “iron instruments of torture” were posing braces and stands to help the subject remain motionless for exposure times which often ranged from fifteen seconds up to a minute. Sarony’s involvement in the portrait making was primarily in arranging the camera, extracting the right expressions from the face and body of his subject, lighting, drapes, and props — the art of the photo. Numerous assistants were on his staff to attend to the mechanical chores of the camera operation and the chemical processes involved.

Sarony’s reception room at 37 Union Square.

Sarony considered himself an artist above all else — preferring to draw with charcoal and crayon. However, with his innovative techniques in application of lighting, posing his subjects, and arranging background elements in portraits he rose to prominence. When once interviewed about his work, he stated “We photographers have queer experiences. Ours is a most excellent opportunity to study human nature, and making a baby laugh is not the one trick of the calling. In order to take a good photograph one should know something about the sitter’s habits and surroundings. This he must learn at a single glance or by an adroit question.” (From an interview in Newark Sunday Advocate, January 7, 1893, p. 2. Reprinting the New York Herald.). [reference Mark Twain, Napoleon Sarony and “The damned old libel”]

The Samuel Clemens Sessions

Some of the most famous photographs of Samuel Clemens, better known as Mark Twain, were made by New York photographer Napoleon Sarony. No complete record exists of exactly how many negatives Sarony made of Clemens nor how many photo sessions Clemens had with him. There were at least two sessions — a session about 1884 and a second session about November 1893 when Clemens intended to have a photo of himself made for his wife Livy’s birthday on November 27 (see letter below). Read more on the the Clemens sessions.

Photos of Mark Twain believed to be from an 1893 photo session with Sarony.
After initially approving of the photo on the far right, Clemens later referred to it as “The damned old libel.”

Chromolithography

The Reading Lesson – Publisher: Sarony, Major & Knapp, New York, Between 1857 & 1864, Original Chromolithograph

Chromolithography: The revolutionary art of colour printmaking from lithographic stones began in Europe during the mid 1830’s. The Germans, in particular, excelled in the new art form and many accomplished printers and publishers of that nationality moved to the United States at this time. The first American chromolithograph was created in 1840. During the following fifty years many of these original colour prints were made to adorn the walls of American parlours. Large and profitable businesses sprang up in almost every major city and by 1880 it had become the dominant form of artistic printmaking.

The cheaper and more practical advances of photomechanical methods, however, sounded the death knell for the chromolithograph by the turn of the century. Yet, not even our most sophisticated means of reproducing images can equal the vibrant, oil-based colours of the chromolithograph, as one can clearly view from this original example pictured above.

Today these chromolithographs have become very scarce, particularly the large images. A major share of the blame falls upon the ruinous methods of nineteenth century framers as they most often used the most acidic and damaging materials at hand. The result is that the majority of these important works of art have quite literally rotted away in their frames. Even surviving examples usually contain discolouration, time staining, chipping or creasing.

Napoleon Sarony letter to Samuel Clemens is courtesy of the Mark Twain Papers, University of California, Berkeley.

Joseph F. Knapp 1832-1891, The patriarch of the the Knapp family Lithographer of the firm Sarony Major & Knapp , Major & Knapp, The Knapp Co. and a founder and president of Metropoilitan Life Insurance. His life story along with two other generations of his family is told in the new book The Knapps Lived Here by Ken Spooner

S A R O N Y,    M A J O R    &    K N A P P  

 G  A  L  L  E  R  Y

Sarony, Major & Knapp Lithographer – Archival Fine Art Paper Print, National Guard half pounds. Manufactured by Baker Pleasants & Frayser, Richmond, Virginia, c1857. Tobacco label showing three officers of the New York State Militia wearing shakos.

BITTERS S.S. Wyckoff & Co. New York, Sarony, Major & Knapp Lith., lithographer., circa 1861, Copyright 1861 by Sarony, Major & Knapp. From the Louis Maurer Collection. Advertising print for S.S. Wyckoff’s Bitters. Liberty, personified as a young woman in flowing robes and a phrygian cap, stands above the Wyckoff company name and U.S. flag and great seal, holding two laurel wreaths. At her feet are symbols of harvest and drinking. Behind her at right, the Greek mythic physician Asclepius holds his staff and snake in his left hand and raises a glass in his right. Behind him is the U.S. Capitol building. In the background at left is another large domed building. – American Antiquarian Society

“Our heaven born banner”painted by Wm. Bauly ; lith. of Sarony, Major & Knapp, 449 Broadway, N.Y. A pro-Union patriotic print, evidently based on Frederic Edwin Church’s small oil painting “Our Banner in the Sky” or on a chromolithograph reproducing that painting published in New York by Goupil & Co. in the summer of 1861. Church’s painting was inspired by the highly publicized Confederate insult to the American flag at Fort Sumter in April 1861 and by a sermon by Henry Ward Beecher published shortly thereafter. The present print was deposited for copyright, with a companion piece, “Fate of the Rebel Flag” (no. 1861-21), on September 6. “Our Heaven Born Banner” shows a lone Zouave sentry watching from a promontory as the dawn breaks in the distance. His rifle and bayonet form the staff of an American flag whose design and colors are formed by the sky’s light. Below, in the distance, is a fort–probably Sumter. The print is accompanied by eight lines of verse: When Freedom from her mountain height / Unfurled her standard to the air, / She tore the azure robe of night / And set the stars of glory there. / She mingled with its gorgeous dyes / The milky baldrick of the skies, / And striped its pure celestial white / With streakings of the morning light. Unlike its companion piece, “Our Heaven Born Banner” is printed using brown instead of black ink for the primary tone.

Essence of Old Virginia Wheat Whiskey, A.M. Bininger & Co. / Sarony, Major & Knapp liths., N.Y., ca. 1859 (Library of Congress)

The Atlantic Cable. Sarony, Major & Knapp, New York. 1858. Lithograph. Source: Bill Burns, The Atlantic Cable

Bininger’s Bouquet Bourbon, A.M. Bininger & Co., N.Y. sole proprietors / Sarony, Major & Knapp lith., N.Y. Whiskey advertising label showing man with mandolin and woman with bouquet on steps. – eBay

Robert Stoepel : U.S. Army Calls : Military Quadrille, U. S. Army Calls : Military Quadrille / composed by Robert Stoepel, New York : Wm. A. Pond & Co., 1862, Plate no.: 5266, Color: Winter scene of three uniformed soldiers quarding a camp / lith. of Sarony, Major & Knapp

Old Sachem Bitters and Wigwam Tonic – Wm. Goodrich, New York Geo. Hunnewell, agent, New York lithograph of Sarony, Major & Knapp, 449 Broadway, N. York. Sarony, Major & Knapp Lith., New York, Sarony, Major & Knapp, 449 Broadway, circa 1859. Print showing a Native American man, possibly a chief, full-length portrait, standing, facing right, holding a spear in left hand; in the background are the teepees of a Native village during an assault on the village – Library of Congress

Bininger’s Pioneer Bourbon, A.M. Bininger & Co. / lith. of Sarony, Major & Knapp, N.Y., Date created: c1859, lithograph, color. Bourbon advertising label showing man holding rifle and warming his hands by campfire, with moon in background.

Albert W. Berg: Polar Bear Polka, The Polar Bear Polka composed by Albert W. Berg, New York : Firth, Pond & Co., 1856, Polar bears dancing (or fighting?), with a portrait of Elisha Kane above / lith. of Sarony, Major & Knapp –  Keffer Collection of Sheet Music

La Sylphide by A.M. Bininger, bourbon whiskey label, ca. 1860, La Sylphide Bourbon, A.M. Bininger & Co. Bourbon advertising label in the shape of a glass showing a man pursuing three sylphs. Copyright by Rufus Watles & L.C. Sanger, lithograph by Sarony, Major & Knapp, New York, ca. 1860. For a beverage that has been marketed as manly-man drink for the last couple of decades, this label looks surprisingly feminine…

Capitol March : Washington : op. 45 / composed by Louis Berge, Capitol Building, Washington, D.C. / Lith. of Sarony, Major & Knapp, New York : John J. Daly, 1861 – Keffer Collection of Sheet Music

MagendiesBitters

Celebrated Magendie’s Bitters, Wadley & Wells, New York. An unlisted bitters. Label from the Joe Gourd collection

TokayCordialBitters

Tokay Cordial Bitters label. An unlisted bitters. From the Joe Gourd collection

Posted in Advertising, Art & Architecture, Article Publications, Bitters, Civil War, Collectors & Collections, Ephemera, History, Photography, Spirits, Technology | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

S.S. Wyckoff & Co. New York – Liberty personified as a young woman mystery

BITTERS S.S. Wyckoff & Co. New York, Sarony, Major & Knapp Lith., lithographer., circa 1861, Copyright 1861 by Sarony, Major & Knapp. From the Louis Maurer Collection. Advertising print for S.S. Wyckoff’s Bitters. Liberty, personified as a young woman in flowing robes and a phrygian cap, stands above the Wyckoff company name and U.S. flag and great seal, holding two laurel wreaths. At her feet are symbols of harvest and drinking. Behind her at right, the Greek mythic physician Asclepius holds his staff and snake in his left hand and raises a glass in his right. Behind him is the U.S. Capitol building. In the background at left is another large domed building. –  American Antiquarian Society

S. S. Wyckoff & Co. New York – Liberty personified as a young woman mystery

05 September 2012 (R•111014) (R•042919)

Apple-Touch-IconASometime during the long and busy 2012 FOHBC Reno Expo, a gentleman  I can not remember his name) gave me an 8 1/2″ x 11″, folded, stapled and lightly printed (from the Internet), black and white print of an advertising piece reading BITTERS S. S. WYCKOFF & CO. I said I was unfamiliar with the piece or the bitters brand. In short order I was checking my Carlyn Ring and W.C. (Bill) Ham Bitters Bottles and Bottles Bottle Supplement books and noticed no reference within. Wow. I set this aside, talked to Bill Ham at some point and we were both puzzled by the art.

Finally last weekend, as I was working through a backlog of items, I came across this mysterious printout and studied it closer. I decided to Google the brand name and quickly came up with numerous examples of the same art which is represented at the top of this post. I also found an advertisement or two for Samuel S. Wyckoff in New York and a few address listings. On Sunday I put the art on the home page of Peachridge Glass and asked you all (we say that here in Texas) for help.

[28 April 2019] BITTERS S.S. Wyckoff & Co. New York, Sarony, Major & Knapp Lith., lithographer., circa 1861, Copyright 1861 by Sarony, Major & Knapp. From the Huntington Library (San Marino, CA). Photographed flat on site in a large book by a collector in June 2017 and digitally skewed in Photoshop by PRG.

The new listing by Bill Ham for the forthcoming Bitters Bottles Supplement 2:

Lithograph
W 166.5 S. S. WYCHOFF & CO BITTERS NEW YORK
Sarony, Major & Knapp Lith., Lithographer, copyright 1861
Pictures woman in flowing robes and a phrygain cap standing above the Wyckoff name and U. S. flag.
// s // S. S. WYCHOFF & CO
Round, Deep red amber, DC, Applied mouth
Advertisement: Wines & Liquors, S. S. Wyckoff & Co, Wholesale Grocers, No. 104 Murray St., New York

S.S. WYCKOFF & CO. Groceries Advertisement – submitted by Brian Wolff

In very short order, Brian Wolff sent me a private communication linking me to another advertisement, a forum post, pictures and a document link on Antique-Bottles.net. Apparently someone had come across a bottle back in June 2009 with the S. S. WYCKOFF embossing and posted it online garnishing a few responses. These are all posted below starting off with the finders comments:

“We’re on a super tight budget, but occasionally we find a bargain…Here’s what today’s rainy wanderings of the aisles produced,…The bottle is a beautiful color,…Lauren calls it “black cherry’ (and that’s what it looks like) Shades of puce/strawberry amber I would say…very unusual with neat embossing “S. S. WYCKOFF & CO.” with a raised border surrounding it, curved around the shoulder of the bottle. Also a cool double collared gloppy applied lip. If anyone is familiar with this bottle,…please give a shout. I found it hidden behind some more common chipped and beat medicines and such,…almost passed it by till I spotted the lip. 12 dollars after the Fathers day sale discount. Thanks for looking.” Joe

P.S. I’ll have to get some better pics in natural light after this rain lets up.

Antique-Bottles.net post

S. S. WYCKOFF & CO. – JoeTheCrow – Antique-Bottles.net

S. S. WYCKOFF & CO. – JoeTheCrow – Antique-Bottles.net

Now at least I have a bottle to look at albeit blurry and hard to read. Brian quickly contacted the owner Tuesday and received more pictures (see far below). It looks like we are off to the races on this one and have identified an unlisted labeled bitters. Stay tuned.

2nd Round of Pictures

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Ghost Towns – “a shadowy semblance of a former self”

Stormy day at the Bodie Historic State Park

Post inspired by Tom Doligale

One can only imagine the condensed society and lifestyle in these towns that sprouted up, flourished and essentially died in the blink of an eye. The whiskey, women, song and toil making for a tough but sometimes highly profitable return.

Ghost  Town: A ghost town is an abandoned village, town or city, usually one which contains substantial visible remains. A town often becomes a ghost town because the economic activity that supported it has failed, or due to natural or human-caused disasters such as floods, government actions, uncontrolled lawlessness, war, or nuclear disasters. The term is sometimes used to refer to cities, towns, and neighborhoods which are still populated, but significantly less so than in years past; for example those affected by high levels of unemployment and dereliction.

Definition: The exact definition of a ghost town varies between individuals, and between cultures. Some writers discount settlements that were abandoned as a result of a natural or human-made disaster, using the term only to describe settlements which were deserted because they were no longer economically viable; T Lindsey Baker, author of Ghost Towns of Texas, defines a ghost town as “a town for which the reason for being no longer exists”. Some believe that any settlement with visible tangible remains should not be called a ghost town; others say that a ghost town should contain tangible remains of buildings. Whether or not the settlement must be completely deserted, or may contain a small population, is also a matter for debate. Generally, though, the term is used in a looser sense, encompassing any and all of these definitions. The author Lambert Florin once described ghost towns as “a shadowy semblance of a former self”.

Reasons for Abandonment:

Factors leading to abandonment of towns include depleted natural resources, economic activity shifting elsewhere, railroads and roads bypassing or no longer accessing the town, human intervention, disasters, massacres, wars, and the shifting of politics or fall of empires. [source Wikipedia]

Barkerville, British Colombia

In looking at Ghost Towns, the one that struck me as one of the more interesting is Barkerville, British Colombia. Once the largest city north of San Francisco and west of Chicago, Barkerville was situated on the western edge of the Cariboo Mountains. It was likely named after Billy Barker from Cambridgeshire, England, who was among those who first struck gold at the location in 1861, and whose claim was the richest and most famous.

Barkerville grew up almost overnight, and was a case of “growth via word of mouth”. Barkerville grew as fast as word of Barker’s strike spread. His claim would eventually yield 37,500 ounces (1,065 kg/2,350 lb) of gold.

movers of freight boasted that they could pack and carry a set of champagne glasses without any breakage

Before the construction of the Cariboo Wagon Road, people hauled their own supplies to Barkerville, either on their backs or in a pack train. Because supplies were scarce, the prices of even the most everyday items were extremely high. High prices for goods in Barkerville did not ease up until the Cariboo Road had been finished, when goods could be transported by huge freight wagons. Soon, movers of freight boasted that they could pack and carry a set of champagne glasses without any breakage – for a price, of course. More women also came to Barkerville after the construction of the Cariboo Road.

Barkerville (1865)

It had several general stores and boarding houses, a drugstore that also sold newspapers and cigars, a barbershop that cut women’s as well as men’s hair, the “Wake-Up Jake Restaurant and Coffee Saloon”, a theatre (the Theatre Royal), and a literary society (the Cariboo Literary Society).

At first, the town consisted only of makeshift cabins and tents. By the mid-1860s, however, Barkerville had a population of approximately 5,000. Even though its population was transient and largely dependent on mining, Barkerville was becoming less of a service town and more of a real community. It had several general stores and boarding houses, a drugstore that also sold newspapers and cigars, a barbershop that cut women’s as well as men’s hair, the “Wake-Up Jake Restaurant and Coffee Saloon”, a theatre (the Theatre Royal), and a literary society (the Cariboo Literary Society). Horse racing and prize fighting were common entertainments. Among the so-called “sober set,” church services were extremely well attended, but even with all these different stores the ones that made the most were the general stores. With them as the only source of food the store owners started increasing the price of food and supplies. In the height of the gold rush the stores sold flour for as high as $1.25 per pound. Beans, meat, and dried fruit were sold for a dollar a pound. But as the gold rush ended the stores went bankrupt and in the end were left with nothing.

Chinese were an important part of Barkerville life for almost a hundred years. They established a number of businesses, including the Kwong Lee Company, a general store that sold groceries, clothing, hardware, and mining tools. The company had stores in other parts of British Columbia, but the Barkerville store was one of the most impressive in town. The Chinese community also built cabins (for Chinese miners, who saved money by sharing four or five to a cabin) and Tai Ping (the “Peace Room”), the equivalent of a modern nursing home. Chinese benevolent associations provided social services to the Chinese community, and also resolved disputes within the Chinese community without the use of BC courts.

On September 16, 1868, Barkerville was destroyed by a fire that spread quickly through the wooden buildings. Rebuilding began immediately, and at an impressive pace. Within six weeks, ninety buildings had been rebuilt. Boardwalks were improved and the narrow and winding main street was widened and straightened. By 1880, there were enough children in the area to build the Barkerville School. It had just thirteen pupils and one piece of school equipment – a chalkboard. Even so, Barkerville’s population was declining by the end of the century and it eventually became a ghost town. It did, however, have a small revival in the 1930s, when the Great Depression caused widespread unemployment, and the price of gold skyrocketed. But as the depression turned for the better, Barkerville fell back into an abandoned state.

In 1958, the government of British Columbia decided that the town should be restored and operated as a tourist attraction. Today, Barkerville appears as it did in its heyday, and visitors can step back in time and marvel at its past. Barkerville Historic Town now greets visitors from all over Canada and other parts of the world, including thousands of students. The history of each building has been meticulously researched and documented. No actual residents remain. They were either bought out or moved to New Barkersville during the restoration of the site. [Wikipedia]

Barkerville Historic Town – British Colombia

G H O S T   T O W N   G A L L E R Y

Aurora, Nevada is a ghost town located 13 miles east of its more famous successor Bodie California. Slowly being reclaimed by the beautiful terrain that it once stood upon, now almost nothing remains. The lack of available wood and the towns thirst for growth may be the main factor in its disappearance after it was abandoned in the early 1900’s.

Berlin, Nevada – ghost town

Older section of the ghost town of Jerome, Arizona. – photograph Andrew Dunn, 1992

Two older establishments in a ghost town

Bodie, California was a quintessential frontier town of the Old West, complete with dozens of saloons, a red light district and a Chinatown. Stories of its history include tales of barroom brawls, stagecoach robberies and other Wild West debauchery. Founded during the Gold Rush the town thrived through the early 20th Century but was subsequently deserted and now is preserved and partially restored to its original state.

View from town towards the Standard Mine/ Mill – Bodie, California

Wagon on abandoned Main Street

View of Sherlock Store, hotel, saloon, bank, and recorder’s office, South Pass City, Wyoming, undated.

Picture of the old Gold King Mine, Arizona ghost town.

Belmont, Nevada – ghost town

The golden Cycle Mill located on 21st Street across from The Roundhouse and Ghost Town Museum, in Colorado Springs. This once very active mill once processed much of the ore from the Cripple Creek and Victor Mining district. Incorporated in 1885 as the Golden Cycle Mining Corporation, the mill ran consistently with the exception of a fire in 1907, but resumed operation in 1908 after being rebuilt. In 1949 the mill was shut down and later dismantled, but through its many years of operation, it treated 13,564,982 ton of gold ore from the Cripple Creek district, and 794,280 tons from other areas in Colorado. This is one “Ghost” that is gone forever, but you can still see the tall smoke stack and tailings pile from both 21st street and Highway 24 in Colorado Springs.

Scenic of 1880’s Ghost Town Murdo, South Dakota

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“Teakettles Demand Age Respect”

A lot of todays “experts” say Teakettles date from the 1870’s to 1890’s. 

I have put together a number of inkwell posts this past year and have had one specific post on Teakettle Inkwells in a draft mode waiting for material to complete. I also wanted to visit two major Teakettle collections and have not had the chance. An email from Joe Matthews (see below) prompted this post now, as there is some good new information moving the date up to the 1830’s on these specific inkwells.

Teakettle Inkwell Display – Antique Bottles and Inkwells

Ferdinand,

Lucy Faulkner and I have worked together on researching teakettle inks. It has been definitely confirmed that Teakettle inks are some of the oldest inks and definitely date to the 1830’s. Your readers might be interested in seeing beautiful teakettles posted on their web site and the London newspaper ad of 1835 with the proof. “Teakettles demand age respect”. Not the 1870 to 1895 dates most auction houses declare as the age.

Regards Joe 

PS: Thanks for what you do in keeping collectors informed.

Ed and Lucy Faulkner have the following description on their web site (visit Antique Bottles & Inks) for Teakettle inks under the picture at the top of this post.

Teakettle inkwells can be found in many beautiful colors and shapes, as well as clear, ceramic and pottery. Embossed glass ones are rare. Some of the pottery will have an advertising name on them. Occasionally one can be found with the English ink company name on a brass top fitted to the bottle. The embossed American one we see most often, is the aqua one with pen ledges and a patent date. Also pictured in this group is an aqua Butler’s ink, which is considered hard to find. The barrel inks are thought to be American, whereas the others are of unknown maker for the most part. The figural ones such as snail, turtle, etc. are thought to be European. The problem with identifying the maker is that without embossing of any kind, the only way to know would be pictures from a glassmaker’s catalog. I haven’t seen any pictured in a catalog.

The only old picture I have seen is a ladies fashion plate picture dated 1839 in William Covill’s ink book.

Dates are unknown with a lot of disagreement. The ladies’ fashion picture in Covill’s book is from 1839 and shows a teakettle ink. A lot of todays “experts” say Teakettles date from the 1870’s to 1890’s. My thought is earlier because of Covill’s picture.

It looks like this design was made for at least 50 or more years from early 1830’s until 1885 or so

UPDATE: An avid teakettle collector, Joe Mathews, saw this post and sent me confirming information that teakettle inks were indeed made as early as the 1830’s in England by S. Mordan & Co. There are a number of ads by this company promoting the newly designed inkstand called the Fountain Inkstand. One from 1835 shows a picture and it is clearly what we call a teakettle. So with this new information, it looks like this design was made for at least 50 or more years from early 1830’s until 1885 or so. The ad is pictured below. No doubt other companies used similar inkstands, but this is the only ad I have found so far, other than in Covill’s book. This is from a publication printed in 1835 London.

1835 S. Mordan and Co., London Teakettle Advertisement

[Wikipedia] Sampson Mordan (1790 – 9 Apr 1843) was a British silversmith and a co-inventor of the first patented mechanical pencil. During his youth, he was an apprentice of the inventor and locksmith Joseph Bramah, who patented the first elastic ink reservoir for a fountain pen.

In 1822, Mordan and his co-inventor John Isaac Hawkins filed the first patent in Great Britain for a metal pencil with an internal mechanism for propelling the graphite “lead” shaft forward during use, as an improvement on the less complex leadholders that merely clutched the pencil lead to hold it into a single position.

Mordan bought out Hawkins and entered into a business partnership with Gabriel Riddle, an established stationer. From 1823 to 1837, they manufactured and sold silver mechanical pencils with the marking “SMGR”. After the partnership with Riddle dissolved, Mordan continued to sell his silver pencils as “S. Mordan & Co.”, adding many other types of silver and gold items to his product line. Mordan often made his pencils in whimsical “figural” shapes that resembled animals, Egyptian mummies, or other objects; like his other silverware and goldware, these pencils are now highly collectible. Upon Mordan’s death in 1843, his sons Sampson (junior) and Augustus inherited the firm. “S. Mordan & Co.” continued to make silverware until 1941, when their factory was destroyed by bombs during the London Blitz.

S. MORDAN and CO. LONDON Teakettle Ink – Antique Bottles and Inkwells

S. Mordan & Co. Patents and other Inventions – Sampson Mordan , London – 1843

S. Mordan & Co. Patents and other Inventions –  Sampson Mordan , London – 1843

Teakettle Inkwell Gallery

A stunning emerald green teakettle inkwell in octagonal form. The bottle stands 2″ tall and is 3.25″ long with a smooth ground lip. – eBay (xmaslights)

1860’s Hand Painted Milk Glass Teakettle Ink, 2 ½” tall by 2 ½“ across. Ground top. Bottle has some paint loss otherwise is in real good shape with no damage. – eBay (dug4you)

Cut Glass Teakettle Inkwell, (Badder’s #1, plate 246), European, possibly Middle East, ca. 1880 – 1910, cobalt blue, 8-sided with a highly ornate brass filigree surrounding all sides, top and pour spout, 2 5/8”h, polished pontil base, sheared and polished lip. Twelve ruby type jewels exist, six are located on the top of the ink, the other six on the mouth cover. Two tiny flakes are off the edge of the base, otherwise in perfect condition. In the past we have auctioned several of these teakettles, but none had this very fancy filigree. John Hummer Collection. – Glass Works Auction #95

Teakettle Ink, (similar to Covill Fig. 1237), American, ca. 1880 -1895, green semi-opaque color, 2 3/8”h, smooth base, ground and polished lip, perfect condition.- Glass Works Auction #95

‘Beehive’ Form Teakettle Ink, (Covill Fig. 1267), American, ca. 1875 – 1895, cobalt blue, 2 3.8”h, smooth base, rough sheared lip, original brass neck ring and hinged cap, perfect condition. A scarce teakettle in a highly desirable, attractive, form! – Glass Works Auction #95

Teakettle Ink, (Covill Fig. 1285), American, ca. 1875 – 1895, deep amethyst barrel form, 2 1/8”h, smooth base, sheared and ground lip, original copper neck ring and hinged cap, perfect condition. Here’s a true American made teakettle ink, in a scarce color! – Glass Works Auction #95

Read More: Looking at Labeled Carter’s Cone Inks

Read More: Small Inkwell Bottles Page

Read More: Umbrella Inks in the News

Read More: Hinks Inks – Post 1 “This Guy collects Labeled Inks”

Read More: Hinks Inks – Post 3 “Carter’s Ink Company”

Read More: Hinks Inks – Post 2 “John hINKel”

Read More: The “Star of Baltimore”

Posted in Advertising, Collectors & Collections, Figural Bottles, History, Inks, Questions | Tagged , , , , , , , , , | Leave a comment

Historic photos of saloons and breweries around Utah in the Wild West days

UTAH in the WILD WEST DAYS

Some great Utah Saloon and Bar scene photographs from the Utah Historical Society. Post inspired by Tom Doligale.

The Combination 

Ole Elliott’s, The Combination Saloon in Utah, late 1800s. Corrine, Utah. Courtesy of the Utah Historical Society (Tom Doligale posted this picture on my PRG facebook page inspiring a little research and more pictures)

The Combination, a billiards hall and saloon in Corrine, Utah around 1900. Courtesy of the Utah Historical Society

Main Street in Bingham, Utah

Main Street lined with bars in Bingham, Utah around 1900. Courtesy of the Utah Historical Society

Staged Gambling

A staged gambling hall and saloon scene in the late 1800s. Courtesy of the Utah Historical Society

Salt Palace Bar

Salt Palace Bar with John F. Heath. Courtesy of the Utah Historical Society

Sam DeAngelas Saloon

Typical bar scene in early days of Park City at Sam DeAngelas Saloon. Courtesy of the Utah Historical Society

U.P. Saloon

The U.P. Saloon in Murray, Utah 1906. Salt Lake Tribune archives

Alta Bar

Stage bound for Salt Lake outside the Alta Bar in Alta, Utah, 1904. Courtesy of the Utah Historical Society

Forbes and Melich Saloon

Forbes and Melich (Serbians) Saloon in Bingham, Utah around 1900. Courtesy of the Utah Historical Society

White Elephant Saloon

Men gambling at the Faro table at the White Elephant Saloon in Bingham, Utah, 1906. Courtesy of the Utah Historical Society

The California Bar and Italian Boarding House

The California Bar and Italian boarding house in Bingham, Utah around 1900. Courtesy of the Utah Historical Society

The Balkan Bar and Restaurant

The Balkan Bar and Restaurant in Bingham, Utah around 1900. Courtesy of the Utah Historical Society

Stewart and Osborne Saloon

Stewart and Osborne Saloon at 13 E. 200 South in Salt Lake City, 1909. Courtesy of the Utah Historical Society

Soldier Summit Saloon

Soldier Summit Saloon, late 1800s. Courtesy of the Utah Historical Society

Harry Longbaugh (The Sundance Kid) and Butch Cassidy.

This is the saloon that was the hangout of The Wild Bunch in 1889. The man standing beside the tree is Harry Longbaugh (The Sundance Kid) and the man sitting on the chair beside him is Butch Cassidy. Courtesy of the Utah Historical Society

Huntington Saloon

Huntington Saloon, Huntington, Utah. The lines in the photo are from cracks in the original glass negative. Courtesy of the Utah Historical Society

Horseshoe Liquor Company

Horseshoe Liquor Company wagon in front of the Good Luck Bar in Salt Lake, 1917. Courtesy of the Utah Historical Society

Jacob Alt’s Saloon

Jacob Alt’s Saloon on 109 S. Main St. in Salt Lake City, 1898. Courtesy of the Utah Historical Society

Salt Lake Brewing Company

Salt Lake Brewing Company auto truck in 1912. Courtesy of the Utah Historical Society

Fisher Brewery

Bottling machine at Fisher Brewery in 1914. Courtesy of the Utah Historical Society

Wagener Truck

Wagener Truck with barrels outside the brewery in 1914. Courtesy of the Utah Historical Society

Wagener Trucks

Wagener Brewing Company with decorated trucks in 1913. Courtesy of the Utah Historical Society

Lagoon Resort

Interior shot of the bar at Lagoon Resort. Undated. Courtesy of the Utah Historical Society

Read More: Glass Works and Glass Factories – Hell on Earth?

Read More: Boys in Glass Houses – Taking on the Mannerisms of Men

Read More: Photographs of People Drinking

Read More: Photographs and Images of People Drinking – Part II

Read More: Photographs and Images of People Drinking – Part III

Read More: Photographs and Images of People Drinking – Part IV (Brewing)

Read More: United States in the 1800′s and early 1900′s

Read More: How we Transported our Goods, Beer and Liquor Back Then

Read More: Saloons and Establishments from Yesteryear

Posted in Ales & Ciders, Bottling Works, Breweriana, Ephemera, History, Humor - Lighter Side, Photography, Whiskey | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Montana Bottle Collectors Assoc. meets in Virginia City at the Bale of Hay Saloon

[incoming from James Campiglia] *Get a load of the RV parked behind them!

Montana Bottle Collectors Assoc. meets in Virginia City at the Bale of Hay Saloon.

We had our officers meeting on Sunday the 26th of August. We all remained with the same positions. Ray Thompson, President, James Campiglia, Vice President and Show Chairman. Erich Weber was not present but will remain as the Secretary/Treasurer.

We had a fun time with one local enjoying learning about bottles and listening to us and plans to join the club later. Others stopped by to glance at some of the dug bottles and others we were showing.

We all dug for nearly a week in Virginia City on the property right out of the city limits across from Alder Gulch where all the mining took place going back to the early 1860’s. We only found one outhouse and the big bone pit dump that must of been a creek or stream at one time where the water would rise and fall and the artifacts became cemented together with clay surroundings. There’s still more land to image and hope to find more but we also have other pending projects, digs, to move onto.

Bottles found: 
seven, Kennedy’s East India Bitters, square, clear, 1880’s and five broken or damaged, Mrs. Winslow’s Soothing Syrup with a rolled lip but no pontil. Chinese marked small brass tins, perhaps Opium. Many Chinese shards and a big crock to be put back together. A few black glass ales, one Chinese with different shoulders.

Other artifacts found: Many old buttons, lots of old iron and horseshoes and miners shovels and picks very worn out.

Thanks,
James
http://www.jameschips.com
http://www.outhousepatrol.com/

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