Some Antique Glass Rabbit Candy Containers

Some Antique Glass Rabbit Candy Containers

07 April 2012

Apple-Touch-IconAThinking of Easter tomorrow, I am reminded of one of the first bottle auctions I participated in, which was Glass Works Auction 64 in December 2002. I really was attracted to the above pictured Rabbit Candy Container and was fortunate enough to win it. The piece remains in our collection where many other ‘whim’ bottles have been relegated to back shelves or sold at shows. The description of the container is as follows:

RABBIT CANDY CONTAINER, Forepaws Next to Body, Clear glass with 90% original gold and blue paint, 1 OZ AVOR – USA, 5 1/4″ h, original metal screw cap, Glass Works Auction 64, Dec 2002

Searching on-line I have put together a few more pictures of antique glass rabbit containers.

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Fire Grenades – Great Form and Color for Collectors

The grenade was thrown at the base of the fire so the glass would smash and release the chemicals – putting out the fire.

Recently I have written and posted about collectible antique Glass PaperweightsTarget BallsMarblesWitch BallsFly TrapsGlass Fishing Floats, Lightning Rod Balls and Christmas Ornaments and now would like to discuss Glass Fire Grenade Bottles. Again, the common geometric shape is the circle as all of these objects are usually round.

What amazes me is that there are just so many areas of our hobby to investigate and potentially collect. Of course ‘glass’ is the material that really binds all this together.

Glass fire extinguisher ‘grenades’ or bottles were containers that held chemicals and were typically six to eight inches tall. They had a narrow neck with a round body and were sealed with cement and a cork. The cement seal prevented the liquid from escaping should the cork shrink. Other versions had a foil seal placed over the cork to create additional protection. There was often a wire loop on the neck used to hang the grenade from a hook on the wall or a nail. Often, two or three of these grenades were sold at time in a wire basket.

The grenade was thrown at the base of the fire so the glass would smash and release the chemicals – putting out the fire. Most were made after 1870 and until about 1910. These glass grenades are rare since they were made to be destroyed. They are often ornate and come in striking colors, so they are very sought after by collectors.

[from Wikipedia] Another type of carbon-tetrachloride extinguisher was the Fire Grenade. This consisted of a glass sphere filled with CTC, that was intended to be hurled at the base of a fire (early ones used salt-water, but CTC was more effective). Carbon tetrachloride was suitable for liquid and electrical fires and the extinguishers were fitted to motor vehicles. Carbon-tetrachloride extinguishers were withdrawn in the 1950s because of the chemical’s toxicity–exposure to high concentrations damages the nervous system and internal organs. Additionally, when used on a fire, the heat can convert CTC to Phosgene gas, formerly used as a chemical weapon.

I have put together a Gallery of pictures showing a rather wide range of shapes and design. The colors, as you will see, are outstanding.

Fire Grenade Grouping – photo Antique Bottle Depot

Read More: Antique Fire Grenade Bottles by Maureen Timm

Read More: Shop Owner and Dealer Alert…Glass Fire Extinguishers Can Be Hazardous To Your Health! 
by Kathy Greer

Read More: In Case of Fire…Throw Grenade! by Pam Poston

Star Glass Fire Grenade. HARDEN HAND GRENADE. Blue glass with original seal. 8 inches tall – photo icollector.com

HAYWARD’S / HAND FIRE / GRENADE – PATENTED / AUG / 8 / 1871 – S.F. HAYWARD / 407 / BROADWAY – NEW YORK – photo GreatAntiqueBottles.com

CALIFORNIA FIRE EXTINGUISHER – photo The Glass Extinguisher Emporium

Hayward Hand Fire Extinguisher Grenade, New York. Light green glass has original seal. 5 inch diameter X 6 inches tall – photo icollector.com

Edison’s Electric Fire Exterminator – photo The Glass Extinguisher Emporium

Globular Fire Grenade, English, circa 1900 – photo GreatAntiqueBottles.com

Glass Fire Grenades – photo Copperwitch

Vintage HARDEN’S STAR HAND GRENADE Fire Extinguisher – photo Etsy

Harts Lightning Fire Extinguisher – photo The Glass Extinguisher Emporium

Yellow with an amber tone HAYWARD’S / HAND FIRE / GRENADE – PATENTED / AUG / 8 / 1871 – S.F. HAYWARD / 407 / BROADWAY – NEW YORK – photo GreatAntiqueBottles.com

Fire Grenade, “ROCKFORD / KALAMAZOO / AUTOMATIC AND / HAND FIRE EXTINGUISHER”, Michigan, ca. 1880 – 1895, cobalt blue, 11 1/8”h, smooth base, tooled mouth. – photo Glass Works Auctions

Amethyst HAYWARD’S / HAND / FIRE / GRENADE – PATENTED / AUG / 8 / 1871 – S.F. HAYWARD / 407 / BROADWAY – NEW YORK – photo GreatAntiqueBottles.com

The Korbeline bottles are not fire grenades, they are medicine bottles. – John Slowiak

HaywardsHand96

Fire Grenade, “HAYWARD’S HAND – GRENADE FIRE – NEW YORK / EXTINGUISHER”, New York, ca. 1875 – 1900, yellowish amber, 6 5/8”h, “DESIGN PATD.” on smooth base, sheared and tooled lip, original contents, perfect condition. A very rare fire grenade in both the larger size and color that is normally found in either cobalt blue or clear glass. – Glass Works Auction #96

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Happy Easter 2012 – Guy Wire ‘Eggs’

Happy Easter 2012 – Guy Wire ‘Eggs’

06 April 2012

Apple-Touch-IconAIt has been almost a year since I started Peachridge Glass. I remember one of my first posts was for Easter 2011 (Read Happy Easter – CD 700 Egg Insulators). I wanted to see tonight if any new CD 700 ‘Egg’ insulators had surfaced on-line but did see anything new. I did however find some really cool, glass Guy Wire ‘Eggs’.

Guy wire strains are used to break the conductivity of a guy wire. They are placed in-line in the guy wire; the two ends of the wire are threaded through each other’s eyes with the strain in between, held in compression, so that if the strain were to break, the guy wire would still hold, albeit without insulation.

Very rare egg-style, only one known. This has been in a hobby for many years and is thought to be American, but there is no proof. As with all eggs, the two mold halves are clamped together and the glass poured through a port in the side; the glass is then broken off, and remaining stub is ground flush; hence overall dimensions do not vary.

Another very rare egg, one of two known in this style (both straw). Also known in the hobby for many years, and thought to be American, perhaps a West Coast glass company– the straw color is reminiscent of Maydwell.

Smaller of the two California (C.G.I.) strains. This uncommon egg is embossed at one end, on the top lip “10” (the factory style number) above “CALIFORNIA”, and on the bottom lip “PAT APL’D FOR”. Like all eggs, it has a large round grind mark at the pouring port. Comes in sage green only.

Larger of the two California (C.G.I.) strains. Also embossed at one end, on the top lip “15” (the factory style number) above “CALIFORNIA”, and on the bottom lip “PAT APL’D FOR”. Both egg styles are about equally uncommon. Like all eggs, it has a large round grind mark at the pouring port. Comes in sage green (left), smoke, SCA and yellow.

With the nicest color of all strain insulators, meet the unembossed Folembray egg, in the characteristic factory color, a rich dark yellow-green– se bon! There are dozens of these in the hobby, many introduced by Bernie Warren, who excavated them from a canal in xxx in yyy (see the Crown Jewels story, xxx yyy).

CD 1130 egg style strain made by the California Glass Insulator Co. – photo NIA Glass Strain Insulators

Posted in Holiday, Insulators, Technology | 5 Comments

Just Love These Pot Lids at ABCR Auctions | Auction 8

[In from Travis Dunn from Down Under] Bidding will go live on ABCR Auction 8 on April 18th at 8 pm, with the auction closing on April 28th at 8 pm. Yes, a 10 day auction this time. There really is a bit of everything in, from ancient canaanite and roman containers through to mid 20th century milk bottles and advertising! Currently being listed are some Australian, English and American pot lids, a fabulous whisky jug collection and of course a varied range of Codds, Ginger Beers, Medicines, Cures and all sorts of collectable goodies.

[PRG] As a designer with a special interest in typography, color and imagery, I find these Pot Lids extraordinarily beautiful. I wish I could see more of these in the states.

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Cassin’s Grape Brandy Bitters Joins the Forbes Collection

One of the greatest Bitters bottles in existence, a Cassin’s Grape Brandy Bitters has changed hands and joined the already wonderful collection of Jerry and Helen Forbes of Carmel, California. I have been asking Jerry for pictures of this bottle since the deal closed in February prior, to the Baltimore show, and Jerry kindly obliged yesterday. The deal was brokered by Jeff Wichmann with American Bottle Auctions in Sacramento. WOW.

Jerry and Helen Forbes

This bottle is certainly is familiar with some of us as it resided in Tennessee and Oregon, among other places before finding its new home in Carmel. Serioss congratulations Jerry. I hope to have one soon myself.

Read more on Cassin’s:

Two Sexy Ladies – Cassin’s Grape Brandy Bitters

A Legendary Cassin,s Grape Brandy Bitters

Cassin's Grape Brandy Bitters - Forbes Collection

Cassin's Grape Brandy Bitters - Forbes Collection

Cassin's Grape Brandy Bitters - Forbes Collection

Posted in Bitters, Collectors & Collections, Figural Bottles, News | Tagged , , , , , , , , | 4 Comments

Pineapple Bitters – The Different Variants

Pineapple Bitters Color Run – Meyer Collection

Pineapple Bitters – The Different Variants

04 April 2012 (Amended: 08 April 2012 with two W & Co NY pineapple pictures from Bruce Silva) (Amended: 08 April 2012 with two J. C & Co pineapple pictures) (R•052814-BBS example) (R•031416-Fuss Example Update) (R•110916)

Apple-Touch-IconAThe Pineapple form remains one of the favorite figural shapes in a field dominated by queens, corns, pigs, fish and cabins. You will always get plenty of satisfaction and compliments when you find a good pineapple because they are highly detailed, faceted and catch the light and reflections in the way you would expect a diamond or exotic gem.

Unfortunately, not much is known about these bottles with the exception of what is printed in Carlyn Ring and W.C. Ham Bitters Bottles. On line research reveals very few quality images and little to no information on the makers, labels or variants.

It must also be noted that these are ‘labeled Bitters’ without the word ‘Bitters’ embossed on the bottle. This causes some collectors to bypass this bottle which is fine with me. I consider it a Bitters, a figural Bitters and a drop dead, gorgeous form.

Label: The Best Tonic, Brown’s Iron Bitters

To assist in information gathering I have posted the Ring & Ham information along with some of my collection pictures. There are also two (2) pontil images I found online and a photograph of the spectacular handled Pineapples owned by Jim and Lynn Mitchell in Tampa (read further: Handled Pineapples Enjoyed in Sunny Florida)

P 100  PINEAPPLE BITTERS, Circa 1845 – 1855
FIGURAL PINEAPPLE
L…The Best Tonic, Brown’s Iron Bitters
8 7/8 x 4
Round pineapple, Amber, Topaz, Aqua, Blue green, Yellow olive, Olive green and Green, DCM, Applied mouth, Diamond-shaped label panel interrupts diamond diaper.
Two other known molds for pineapple bottles had a smaller label panel bounded by
two instead of the three-diamond design. One, with metallic pontil, was inscribed
W & Co NY and the other JC & CO, has a rough pontil. One specimen said to have a frosted label area.
Note: Also known is a paneled bottle embossed I. & L. M. Helman. There is some question as to the age of the label which does not match the shape nor size of the label panel.
P 101  PINEAPPLE BITTERS
FIGURAL PINEAPPLE
// b // PATD OCTOBER 1ST 1870 BY A. L. LACRAIX
8 7/8 x 4
Round pineapple, Aqua, DC, Applied mouth, Very rare.

UNEMBOSSED Pineapple

Unembossed Pineapple in a tobacco yellow – Meyer Collection

Unembossed Pineapple in an old amber – Meyer Collection


W & Co NY Embossed Pineapple

P100-W&C_pinnapple_BBS

W & Co NY Pineapple Bitters in a beautiful medium green – Bitters Bottles Supplement

W & Co NY Pineapple Bitters in a deep golden amber – Meyer Collection

W & Co NY Pineapple Bitters in a brilliant olive green – Meyer Collection

W & Co NY Pineapple Bitters in a deep blueish green – Meyer Collection

Detail of W&Co NY Pineapple Bitters in a deep blueish green – Meyer Collection

FussPineappleTopaz

Believed to be unique, topaz W & Co NY Pineapple Bitters – Fuss Collection

PineappleBlueGreen

Incredible blue/green W. & Co. N.Y. figural pineapple – photo Mark Warne

Dark Amber Pineapple Bitters Bottle with embossed letters on a diamond panel “W & CO., N.Y.”. Applied blob top and open pontil

Pontil scarred base of a Pineapple Bitters – Sha.0rg

W & Co NY Pineapple Bitters in yellow – Silva Collection

Pontil scar on a W & Co NY Pineapple Bitters in yellow – Silva Collection

pineapplegreenferraro2_gwa

Pineapple “W & CO / N.Y.” Pineapple Biters, (Ring/Ham P-100), American, ca. 1860 – 1870, medium grass green pineapple, 8 5/8”h, pontil scarred base, applied double collar mouth. Perfect condition. Very rare and unusual shade of pure green color. Ex. Elmer Smith Collection. Purchased in 2001 from Glass Works Auctions, #60. – Glass Works Auctions – Bob Ferraro Collection – Part 2


J.C & Co Embossed Pineapple

Amber J. C & Co Pineapple – photo Anonymous

Pontil on an amber J. C & Co Pineapple – photo Anonymous


A. L. LACRAIX Embossed Pineapple

A. L. LACRAIX Pineapple Bitters in aqua – Meyer Collection


HANDLED Pineapple

3 extremely rare and probably unique handled Pineapples – Mitchell Collection

Posted in Bitters, Collectors & Collections, Color Runs, Figural Bottles | Tagged , , , , , , , , , , , | 3 Comments

Lightning Rod Balls – A Few From Our Collection

Recently I have written and posted about collectible antique Glass Paperweights, Target BallsMarbles, Witch BallsFly Traps, Glass Fishing Floats and Christmas Ornaments and now would like to discuss one of my favorite areas, Lightning Rod Balls. The common denominator of course, is the geometric ‘circle’, as all of these collecting objects are primarily round. Hopefully sometime soon I can do a post on Fire Grenades.

Most of my good Lightning Rod Balls (LRB’s) were purchased in 2002 from a fellow I met online and thru eBay named Bob Overfield (visit LRBMAN.com) who is a major name, collector and dealer in this area. If you like Lightning Rod Balls and Vanes, it is also essential to have a copy of The Complete Book of Lightning Rod Balls by Rod Krupka and Mike BrunerThis is the definitive book of the hobby, Krupka and Bruner lovingly and thoroughly researched and compiled the extensive information in this book. It is both a price guide and a history book. Soft cover 8 1/2″ x 11 with 150 pages. This book is out of print but you can find copies if you search online.

In the 19th century, the lightning rod became a decorative motif. Lightning rods were embellished with ornamental glass balls that are now prized by collectors. The ornamental appeal of these glass balls has been used in weather vanes. The main purpose of these balls, however, is to provide evidence of a lightning strike by shattering or falling off. If after a storm, a ball is discovered missing or broken, the property owner should then check the building, rod, and grounding wire for damage.

According to the Iowa Barn Association, lightning rod balls have long been part of the American rural landscape. Some were made as early as 1840. They were originally sold as ornaments for lightning rods and are found in a wide range of shapes and colors. Made of glass or ceramic, they had no practical use, but added a decorative touch to the rods.

The balls were usually about four and a half inches in diameter. Glass balls were typically white and blue milk glass. Clear glass ones have often turned to amethyst from sun exposure to impurities in the glass.

There are some 34 shapes or styles of lightning rod balls. The balls were sold by salesmen going from farm to farm in horse drawn wagons from 1870 until the Great Depression closed businesses.

Read Further: LRB’s! – Sullivan Auctioneers – The Jim & Linda Baier Collection

Read Further: More Lightning Rod Ball and Weathervane pictures from the Baier Collection

I have posted a few pictures from our collection…


QUILT RAISED

Offered by the St. Louis Lightning Protection Company of St. Louis, Missouri. Established in 1866 and incorporated in 1902. Raised quilt has 1 1/2″ collars and often original caps embossed KRETZER BRAND TRADE MARK.

Quilt Raised - Gold Merc, almost perfect condition with original Kretzer end caps - Meyer Collection

Group of Quilt Raised - Meyer Collection


QUILT FLAT

Company pattern of the George E. Thompson Lightning Rod Co. in Owatonna, Minnesota. Referred to as ‘Polar Star’ pattern. Balls have large collars with King Ventilating Company on caps.

Quilt Flat - Green Merc, Same ball pictured on front of Lightning Rod book - Meyer Collection

Group of Quilt Flat Lightning Rod Balls - Meyer Collection


RIBBED GRAPE

Pattern used by several companies including the National lightning Protection Company, West Dodd and D&S of Windsor, Canada. The common style is unmarked with 18 grapes in its middle row.

Ribbed Grape - Gray/Green, transparent ribbed grape - Meyer Collection

Group of Ribbed Grape Lightning Rod Balls - Meyer Collection


PLEATED ROUND

Referred to as Barnett Ball. Offered by Jos. Barnett & Co. of Riverside, Iowa. Began business around 1896 and was out of business by the depression. Barnett referred to these balls as ‘corrugated’ or ornamental.

Pleated Round - Flashed Red - Meyer Collection

Group of Pleated Round Lightning Rod Balls - Meyer Collection


4 1/2″ PLAIN ROUND – STANDARD COLLAR

Most common pattern offered by most lightning protection companies. Balls come in three (3) sizes and various colors. The collars are varied at standard, ground, threaded etc.

4 1/2" Plain Round in a dark cobalt blue - Meyer Collection

Group of Plain Round Lightning Rod Balls - Meyer Collection


JFG

Made by Julius F. Goetz in Hartford, Wisconsin. Established in 1908, this company offered a complete line of lightning protection materials. JFG boldly embossed on ball. Not used with caps.

JFG in white milk glass - Meyer Collection


DIDDLE BLITZEN

Pattern attributed to Professor L.F. Diddle who added the German word Blitzen after his name to label is line of products. Company located in Marshfield, Wisconsin.

Diddle Blitzen in rootbeer amber with bronze end caps - Meyer Collection


RIBBED HORIZONTAL

Not attributed to any particular company and offered by several. The Independent Protection Company called this pattern the ‘Streamline Ball. Also called Pee-Wee.

Ribbed Horizontal in white milk glass - Meyer Collection


MOON AND STAR

Originally offered by the Goshen Lightning Rod Company who called it the Goshen Design. Started in the early 1900’s. Successful from the beginning, the company was at the center of the multiple merger into the West Dodd Lightning Conductor Corporation.

Moon and Star in white Milk glass - Meyer Collection

Moon and Star in blue milk glass

Moon and Star - photo Ruby Lane


SWIRL

The Swirl is associated with the Cole Bros. Lightning Rod Company, a very early company that was founded in 1849. John Cole was the founder, and his brother James was the inventor. Swirl balls are occasionally found with original caps. The caps are threaded and embossed ‘COLE BROS. PAT. DEC. 12 – 1893.’ 5 1/2 h x 5 w.

Swirl in yellow amber - Meyer Collection


Posted in Collectors & Collections, History, Insulators, Lightning Rod Balls | Tagged , , , , , | 2 Comments

Warren Brock Friedrich – FOHBC Reno Expo News

Warren Friedrich with some of his bitters bottles - Nevada City, California - 2009

[In from Pam Selenak]

It gives me great pleasure to announce that Warren Friedrich will be our guest speaker for the banquet at the FOHBC Reno Expo and will also be one of the two (2) 2012 FOHBC Hall of Fame inductees (see nomination below) at the event. We hope to see you for some good food, great company as well as an informative presentation on a brief history of the early glassworks of California from the first commercial bottle factory in 1859 to the demise of the largest factory in 1899.

Pam Selenak | FOHBC Public Relations Director

THE FEDERATION OF HISTORICAL BOTTLE COLLECTORS (FOHBC)

2012 HALL OF FAME Nomination – Warren Brock Friedrich

The Genesis of a Bottle Collector

It was with an unlikely beginning that Warren Friedrich started down the road toward bottle collecting. He was born in southern California in the autumn of 1954, the son of a World War II barn-stormer and his University of Southern California educated wife, who, together, flew crop-dusters over the salad bowl of California.

Seeking a better environment to raise their only child, they set their sights on Nevada City, a tiny rural community in the foothills of the Sierra Nevada Mountains and put down roots. And, this move would make all the difference in forming Warren into the history enthusiast he is today.

While his father immersed himself in establishing a tax preparation business with a commercial fishing enterprise after the tax season, his mother pressed into local politics, becoming the first woman to be elected to the town’s city council. Left to his own devises, Warren soon found that this quaint little town had much to offer in the way of treasure hunting. This lanky, long-legged boy began spending his days miles from home, often up to his waist in a midden dump, digging up shards of glass, miners’ tools and crucibles, and Indian beads. His boyhood bedroom soon resembled a Gold Rush curio shop.

Looking at this sleepy little tourist town today might fool you into passing right through. But, in the mid-1800s, Nevada City was the third largest city in California. The 7 hills surrounding the mining camp town rang with the clang of pick axes and shovels and cries of miners as they dug and sluiced and panned and blasted the hillsides with hydraulic monitors in search of gold. And a city grew around them, complete with 2 soda bottling works, saloons, brothels, churches, and a large Chinese population brought in to build roads through the steep mountains. And when the boom was over, they left behind their trash.

While his friends were spending hot summer afternoons in the cool darkness of the local movie theater, Warren was picking his way through dark tunnels of long-abandoned mines. Sometimes he managed to enlist friends to join him in his treasure hunts and one of those times was captured in a photograph taken when he was only 10 years old. Progress had come to the foothills and a freeway was being built right through Nevada City. Old buildings were demolished and historical sites fell to Progress as state workers pushed the road through the hills. In the wake of this upheaval, the town’s history began appearing as privies and trash dumps emerged from the wreckage. This 1965 photo shows a scrawny boy, gazing with intense concentration at the lucky find in his hand, while standing in the middle of what is now a 4-lane freeway. After the work crews left for the day, Warren and his friends would scramble through the day’s tractor work, finding bottles and jars and myriad miners’ junk which had been tossed with the trash. It was glorious pickings for a young bottle hound. While still in high school his interest was evident to his teachers and he was asked several times by the history teacher to bring his collection and talk to fellow students about local history. Even as a boy, Warren was garnering new enthusiasts to the collecting world.

As Warren grew up, his childhood hobby had to compete with a growing interest in cars and girls, and the inevitable reality of life, work. And, his boyhood collection sat dusty for a while as he moved to Sacramento to attend college. However, while pondering a major, his love of history lured him back and he chose Recreation and Park Administration as a course of study. This allowed him to study early California architecture and its restoration and gave him an excuse to ramble the hills again. It also trained him to do the kind of research he would need later in life when he embraced collecting in a more serious way. He received a Bachelor of Science degree in Recreation and Park Administration from the California State University, Sacramento, in 1976, with hopes of working in this field.

It wasn’t to be. He worked a number of jobs in various cities but city life was not satisfying so when his parents asked him to return to Nevada City to help with their growing business, he packed his bags and came home. For 17 years he helped his father both in the tax office in Nevada City and on their commercial fishing boat, the Carol B, named after Warren’s mother and based in Bodega Bay, California. After his father’s repose, Warren shouldered the business alone with the help of his wife, Linda, and together they worked hard to be able to retire with time to ramble through the hills together.

Collecting

During these years of hard work, Warren began collecting bottles in a more serious fashion. He amassed a modest collection of western bitters, focusing on condition and sheer numbers. It was during this time that he began traveling to shows and getting to know other collectors. In 1971, Warren joined the local bottle club, the Mother Lode Antique Bottle Club, and then the national club, then known as the Federation of Historical Bottle Collectors. In 1993 he co-founded the Downieville Antique Bottle Show, which remains today one of the best-attended shows by advanced collectors. He has been a contributing author as well as a co-author of bottle articles published in both Antique Bottles and Glass Collector magazine and the Federation-published Bottles and Extras magazine.

He has helped put on local shows and has had a keen interest in encouraging a younger generation to get active in the hobby. This continues to be a passion for him and he welcomes young diggers and collectors into his home and never begrudges a dinnertime phone call from them, sharing their enthusiasm as they excitedly ask questions about the history of some new find.

In terms of his own collecting, Warren found his interest being piqued by the fascinating shapes and tantalizing colors of bitters bottles. Enough so, that in 1994 he sold his entire bitters collection and began studying a specific group of early western bitters. It was the early California bitters which caught his eye. He was quite taken by the fanciful shapes and sometimes even more fanciful histories. It was a match made in heaven. His childhood treasure hunting in Gold Rush-era Nevada City, coupled with his educational degree involving early California history fueled the fire. He had found his niche.

Early Glassworks of California

Although the price tag on the first Lacour’s Bitters bottle he brought home made his wife’s knees buckle, she recovered and Warren pressed forward to learn more and bring more home. A passion to know the truth about the bottles is a consummate character of Warren’s. He is driven to know everything he can about a bottle and its manufacture. And, he is tireless in researching until he’s satisfied that there is no more to be learned. It was this keen desire to know about the bottles in his growing collection that led to the writing of his book, Early Glassworks of California, published in 2010, with revisions in 2011.

It’s important to understand his choice of focus for the book. While seeking information about his own bottles, Warren found that some bottle books, in an effort to help as many diverse collectors as possible, covered such a broad field that sometimes conjecture was offered as fact. Warren realized that you can’t be all things to all people and that he would have to narrow his focus to those bottles about which he could find primary source information. He strove to write only supportable information and include not only footnotes but scans of actual ads and articles. This allows the reader to see what he saw as he did his research from the comfort of their home. He doggedly edited the book, scouring out anything he felt was not supported by documents. Surprisingly, this doesn’t make for a boring read; actually, as one follows the men who came West and made their living building factories, hauling sand, concocting recipes, blowing bottles, going broke… and all on the wild Barberry Coast, you find yourself back in time.

So, Warren began his hunt in 2007 with the books on his own bookshelves, books written by pioneers in the hobby. He discovered that technology has enabled access to resources only dreamed of by these writers. While earlier writers often had to travel long distances to view library archives which might or might not hold information they were seeking, computer archives have made this research much more accessible. This is not to say that doing research today is a walk in the park!  Warren drove from his home in Nevada City to numerous historical institutions day after day over the course of 3 years, pouring over microfiche, coming home with red eyes and exhausted from scouring page after page of tiny ads in 19th century newspapers caught on film. His goal was to produce the most definitive, comprehensive compilation of historical information on the glassworks and their products possible and to make it available to other collectors who were just as hungry for information as he had been.

The head librarian of the San Francisco Mechanics Institute, an esteemed continuously running archive of San Francisco history, took an especial interest in the research Warren was doing and did much to further it. Today, a copy of his book resides there, per her request.

Further research led him to the Society of California Pioneers in San Francisco, a prestigious society whose members include men and women who shaped and formed the fastest growing city on the west coast during the 19th century. During one visit the curator took Warren and his wife on a private tour, during which he was able to identify demijohns, still packed in their wicker and tule wrappings and stowed in wooden packing crates, to the delight of the curator. Early Glassworks was added to the Society’s collection, as well. Further requests for a copy of the book came from the California Historical Society in San Francisco as well as the California State Archives and the California State Library both in Sacramento. Additionally, Warren was contacted by a San Francisco book shop owner who deals with rare books and 6 copies were purchased for his clientele who are history scholars, not bottle collectors; the books were sold for 3 times the rate bottle collectors have paid and clearly show the broader appeal of the work.

As we all know, bottle and ephemera collectors are a generous lot and Warren is grateful for their sharing of time and information. In addition to historical libraries and societies, many collectors, authors themselves, including Eric McGuire, Tom Jacobs, Rick Simi, Bill Ham, Jeff Wichman, and Tim Higgins, to name a few, took time to share sources and leads. Richard Watson of New York graciously gave permission to publish pictures of rare glassmaking tools. Professional photographer, Kirk Amyx of Amyx Photography in San Francisco photographed some of the author’s collection for the book and the pictures in this book are stunning, offering a good look at bottles many people will never see in real life.

Once satisfied that he had found as much information as he could, more than 900 pages of historical material, he pared it down, editing many times, and, surprisingly finding new tidbits of information to include. The family joke became the newest pronouncement that the book was finally done.

The end result is a very tight book, narrowly focused to be as accurate as possible. It is a wealth of information about a brief era in history and the bottles produced as a result of it. Maybe not surprisingly, as the bottles from this era are a result of their geography so also the author is of his geography. And, the 2 are a good match for each other. One hopes that this book might just be the beginning of continuing research…

Beyond the Book

Like his pioneering predecessors, Warren knows that as more information is scanned and released, his work, like theirs, may be modified. He welcomes this because the truth is what matters. The more accurate information available to the collector, the better. And, perhaps beyond the contribution of the book itself, what Warren Friedrich brings to bottle collecting is the generous spirit in which it is offered, his tireless quest for facts, and the encouragement extended to a younger generation to take the plunge.

Nevada City, California, 1965, during the building of the Golden Center Freeway. Warren Friedrich is at the bottom left with the white tee shirt and jaunty hat standing next to the police chief. He is 11 years old at the time of this picture.

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Rare WHEATON Fish breaks $175k Record for Figural Bitters

Sapphire Wheaton Fish - New $ Record Holder - Didrong Collection

With utter amazement, Peachridge Glass reports the largest dollar sale of a figural bitters yet. The ‘Sapphire’ Wheaton Fish circa 1970, has just sold for over $175,000 to the reclusive collector Osgood Didrong in Snake Gulch, Wyoming. This eclipses the record set for the blue OLD HOMESTEAD BITTERS owned by Flanders Suff and the blue SAZERAC’S BITTERS owned by Taylor Williamson.

This stunned Ferdinand Meyer V in Houston, Texas who when contacted, was surprised and said “this doesn’t make sense! My fish is bigger!” He then cried and said he thought the cork may have helped increase the value. As new information comes in, Peachridge Glass will post.

“this doesn’t make sense! My fish is bigger!”

This has been a crazy week for cobalt colored bitters. Stay tuned for the report of the attic find of twelve blue OLD HOMESTEAD BITTERS and the sole cobalt blue, ladies leg SAZERAC BITTERS being reported as being made of plastic (a Chinese imprint was found on base).

Posted 01 April 2012

Legendary Blue Fish Bitters - Meyer Collection

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Alpine Herb Bitters – Western Mountain Themed Square

Fig: 1 – Alpine Landscape – George Frederick Watts

Alpine Herb Bitters

Western Mountain Themed Square

01 April 2012

Alpine066bART

Apple-Touch-IconAThe next in the ‘Mountain’ embossed or themed Bitters is the Alpine Herb Bitters. This series was inspired by a request by Matthew Tigue Levant asking over on the facebooks Antique Bottles for Sale page, that he is “looking for any med, bitters, cure bottles with the word “Mountain” embossed in the glass”.

“looking for any med, bitters, cure bottles with the word “Mountain” embossed in the glass”

Previous posts (see bottom of this page) have dealt with Bitters bottles with the word ‘Mountain’ embossed directly on the bottle. The Alpine Herb Bitters is not embossed with ‘Mountain’ but research shows us, in this case, the brand is Mountain themed. I thought I would outline my steps of basic research for the Alpine Herb Bitters. Having this information in one area is very helpful. I can also update as I receive new information.

A37tcAlpineHerbBitters

Alpine Herb Bitters, Thomas Taylor & Co. Sole Agents letterhead

I usually first look at Carlyn Ring and W.C. Ham Bitters Bottles  (I also check Bitters Bottles Supplement) and see the following:

A 37 ALPINE / HERB BITTERS // f // motif shield with monogram TT&CO // f //
10 x 2 3/4 (7 1/2) 1/4
Square, Amber, LTC, Tooled lip – Very Scarce; Applied mouth – Extremely rare
TT&CO: Thomas Taylor Company, San Francisco,

Besides the name and graphics, I am immediately drawn to the Thomas Taylor and San Francisco references telling me that this is a western square.

I first Google Alpine Herb Bitters and as expected, find little if no information. I do see a hint of a post by Kentucky Gem over on a western glass site that I will circle back too below.

Fig: 2 – The Alpine Store – Alpine, California

Next I google Alpine, specifically in California and see that Alpine is a census-designated place (CDP) in San Diego County, California. Alpine had a population of 14,236 at the 2010 census, up from 13,143 at the 2000 census. (See Fig: 2). Not a likely link.

FIG: 3 – ALPINE HERB BITTERS – Page 13 in WESTERN BITTERS by Bill & Betty Wilson

Following the Google search, I look at my Western Bitters book by Bill & Betty Wilson, copyright 1969, and see a nice black & white plate showing a labeled Alpine Herb Bitters and two (2) smaller photographs of the embossing of the typography and shield (see Fig: 3). The ALPEN word, German text and cross pretty much confirm the ‘Mountain’ reference and link I am looking for. [Addendum] I also see a note stating ‘1888 only’. I suspect this is incorrect.

Fig: 4 – ALPINE HERB BITTERS – page 27 Antique Western Bitters Bottles by Jeff Wichmann

Next I look at my The Best of the West | Antique Western Bitters Bottles by Jeff Wichmann and see a beautiful page dedicated to the ALPINE HERB BITTERS with T.T. & Co. monogram on page 27. (see Fig:4). I really like the framed advertisement on the page. This confirms the product, mountain theme and has Thomas Taylor & Company on the frame. Wow is all I can say. [Addendum] I again see the note stating ‘1888 only’ which must have been taken from the Western Bitters book and not the Bitters Bottles book.

I next add a great picture of the Alps as the header to this post. In this case it is Alpine Landscape – by George Frederick Watts. (see Fig: 1.)

Fig: 5 Post on Thomas Taylor by Bruce Silva

For heavy duty product research, I head over on-line to Western Bitters News and Western Glob Top Whiskies | Western Glass (see Fig: 5) and look to see if anyone has written about the Alpine Herb Bitters and more specifically, Thomas Taylor. I see the following:

Thomas Taylor began his liquor career in San Francisco during the 1850’s amid the California Gold rush. Taylor was born in Hamburg, Germany in 1831. He came to California, first working in Sacramento, then in San Francisco to mine the gold of pocketbooks, which poured open as the whiskey flowed. By 1858 he had started his own wine and liquor business at 109 Clay Street. In 1861 he became a partner with John G. Frisch at 413 and 415 Clay Street in San Francisco, living at 716 Union Street. The business was known as Frisch & Co. Read about Thomas Taylor.

THOMAS TAYLOR & CO.’S ALPINE HERB BITTERS c1888 – c1896 [from Thomas Taylor  Western Whiskey Tool Top Gazette – Kentucky Gem (Bruce Silva)

Sometime in the 1880’s, Taylor & Co. created Alpine Herb Bitters. The date of creation is uncertain, though Bill Wilson in his book Western Bitters, claims that Alpine Herb Bitters was only distributed in 1888. We now know that Alpine Herb Bitters was made and distributed at least during the period 1888-1896. A record of a patent for the Alpine Herb Bitters in US Patent records was not found, though it may have been under another man’s name, and therefore difficult to locate. Unfortunately, Patent records are not well indexed, adding to the difficulty in research.

There are two distinctly different embossed bottles bearing the Alpine Herb Bitters name. The earliest is a very crude amber, square, applied top bitters, of which at least four specimens are known. One of the applied-top specimens was dug in Virginia City by Vera Bennett, an early bottle digger of the 1960’s. This bottle has all the ear-marks of a bottle made well before 1888, but as yet, there is no documentary evidence of Alpine Herb Bitters before that date. One might make the assumption that the applied top Alpine bottle might have been made just after the company re-emerged in San Francisco in late 1883, but more research is needed to study that possibility. The second bottle is a very neatly made tooled top square bitters, with a nearly identical embossed pattern. There may be less than two dozen of the tooled top variety known, though there was no attempt made to inventory these bottles in collections. This bottle could easily date to the late 1880’s, but the first bottle certainly seems older based on comparative construction, though applied top bottles are known as late as 1899. Neither bottle carries a town name, indicating the possible distribution of the product in more than one city.

Taylor’s letterheads from the 1890’s reflect the marketing of Alpine Herb Bitters, and it certainly was distributed from San Francisco as late as 1896. No records were found from Taylor’s Virginia City operation that could place distribution of the early applied top Alpine Herb Bitters in Virginia City, though this still remains a possibility. Several other western bitters are also found in both applied and tooled tops, an indication of manufacture throughout the 1880’s and 1890’s at least. These include: Hibernia, Pipifax, Dr. Thos. Hall’s, Jewell, Louis Tausig, Excellsior, Booth, and Dodge & Co.

The Alpine Herb Bitters name and recipe was probably sold or leased to other companies for distribution, particularly after 1901. An amber, round neatly made bottle with an Alpine Herb Bitters label shows the agent as N. Van Bergen, and another neatly made, post-1906 paper labeled bottle shows Wichman-Lutgen as the agents.

Without more information on the recipe, it is difficult to ascertain the contents. Many would like to know which alpine herbs were used, and from what part of the Sierra Nevada they came, the only alpine environment around. More research may solve these mysteries.

There are at least three other embossed bitters bottles bearing similar names. Swiss Alpine Bitters , Swiss Alp Bitters (2 varieties) and Hungerbuehler’s Swiss Alpine Bitters. Any relationship between these and Taylor’s Alpine Herb Bitters is unknown and deserves more research.

I then google Thomas Taylor again and look deeper to find a shot glass with his name on it. (see Fig: 6)

Fig: 6 – Thomas Taylor on shot glass

(Fig: 6) Shot Glass – TRADE MARK (slanted down/up beneath a frosted shield upon which is etched a head and shoulders portrait of a bearded man, facing left) / TOM TAYLOR (arched) / (line of three large stars) / EXTRA PONY / WHISKY. (enclosed within a rectangular outline) / THOMAS TAYLOR & CO. / SAN FRANCISCO / EST 1858 (arched)

I next try to figure out if the Alpine Herb Bitters was made at Pacific Glass Works, San Francisco Glass Works or Pacific Coast Glass Works. A quick email to western glass authority Warren Friedrich gets the following reply:

“If you are talking about the square bitters with the monogram/shield embossed on the one panel and the words ALPINE HERB BITTERS on another panel it was not (made at Pacific Coast Glass Works). That was most likely manufactured by S.F.& P.G.W. That bottle is much earlier than when P.C.G.W was in operation”. Warren

I’ve posted a few pictures (see Figs: 7, 8 & 9) of my example below with does not have an applied top. This was won at Pacific Glass Auctions (now American Bottle Auctions), Auction 30 and was Lot #166 back in 2003. This applied top example is very much something I am looking for.

Fig: 7 – ALPINE HERB BITTERS – Meyer Collection

Fig: 8 – ALPINE HERB BITTERS – Meyer Collection

Fig 9 – ALPINE HERB BITTERS – Meyer Collection

Read more on ‘Mountain’ embossed or themed bitters. All prompted by a request by Matthew Tigue Levant asking over on the facebooks Antique Bottles for Sale page, that he is “looking for any med, bitters, cure bottles with the word “Mountain” embossed in the glass”.

Applied top Alpine Herb Bitters – American Bottle Auctions

Applied top Alpine Herb Bitters (graphics detail) – American Bottle Auctions

Applied top Alpine Herb Bitters (crest detail) – American Bottle Auctions

Foil seal on Alpine Herb Bitters – eBay

Blue Mountain Bitters

Sharp’s Mountain Herb Bitters

Dr. Black’s Rocky Mountain Bitters

Ulmer’s Mountain Ash Bitters Remedy

Dr. Copp’s White Mountain Bitters

Posted in Bitters, Collectors & Collections, History, Publications, Questions, Shot Glasses | Tagged , , , , , , , , , , , , | 11 Comments