“Bartletts Excelsior Bitters – the only known example was found in the attic of a Stagecoach stop in Texas”
Stagecoach Stops and Bartletts Excelsior Bitters
03 October 2012
As some of my closest bottle amigos know, I was fortunate enough to be part of the acquisition team of the great Feldmann Bitters Collection. A full 14-page feature article on the collection and the ‘deal’ will appear in the next issue (November/December) of the FOHBC Bottles and Extras magazine. You can see my design for the cover to the left.
Our group of three has been fairly quiet as to the bottles we acquired as we wanted the ‘dust to settle’. Now that the ‘cat is outta of the bag’, you will be seeing periodic posts on some of these great bottles that have found new homes. The research is starting also.
The bottle that inspired this post is the Bartletts Excelsior Bitters (pictured below on John Feldmann’s slelves) that was part of a 4-bottle mega John Feldmann private purchase many year ago of the Carey’s Grecian Bend, Chickahominy Bitters and Bartlett’s Excelsior Bitters. The fourth bottle is immaterial as John already had the bottle.
The Bartlett’s Excelsior Bitters, embossed BARTLETTS EXCELSIOR BITTERS / BARTLETT BROTHERS NEW YORK, as far as I know, is the only known example and was found in the attic of a stagecoach stop in Texas. [support needed from Bill Ham as this was noted in Carlyn Ring and W.C. Ham Bitters Bottles].
This 8-sided, amber bottle has eight concave panels tapering from 1 1/2 inch at the base to 1/2 inch at the shoulder. The bottle is pictured above between the only known example of a Chickahominy Bitters (left, look for a future post) and the extremely rare, Cannon’s Dyspeptic Bitters. This row of bottles was John’s ‘cream of the crop’.
I have not photographed this bottle yet as I do all my serious photography in the Winter months when the sun is to my liking (read >>: Glass Passion and Color Part II : Exploration and Color). Anyway this prompted a little research on stagecoach stops, especially in Texas resulting in this post.
The Butterfield Overland Mail Trail
US Postage stamp, Overland Mail issue of 1958, 4c, red
The Butterfield Overland Mail Trail was a stagecoach route in the United States, operating from 1857 to 1861. It was a conduit for the passengers and U.S. mail from two eastern termini, Memphis, Tennessee and St. Louis, Missouri, the routes from each eastern terminal met at Fort Smith, Arkansas, and then continued through Indian Territory, Texas, New Mexico, and Arizona, ending in San Francisco, California. On March 3, 1857, Congress under James Buchanan authorized the U.S. postmaster general, Aaron Brown to contract for delivery of the U.S. mail from Saint Louis, Missouri to San Francisco, California. Prior to this advent any U.S. Mail bound for western localities was transported by ship across the Gulf of Mexico to Panama, where it was freighted across the narrow isthmus to the Pacific and put back on a ship which then departed for points in California.
“The routes from each eastern terminal met at Fort Smith, Arkansas, and then continued through Indian Territory, Texas, New Mexico, and Arizona, ending in San Francisco, California.”
Historic 19th century map with highlighted overlay of the route
Through the 1840s and 1850s there was a desire for better communication between the east and west coasts of the United States of America. Though there were several proposals for railroads connecting the two coasts a more immediate realization was an overland mail route across the west. Congress authorized the Postmaster General to contract for mail service from Missouri to California as a means of facilitating more settlement in the west overall. The Post Office Department advertised for bids for an overland mail service on April 20, 1857. Bidders were to propose routes from the Mississippi River westward. (Read more on Wikipedia)
1865 advertising poster for Butterfield Overland Mail route
Bryson Stagecoach Stop Marker, Liberty Hill, Texas 78642 – photo by Alberto Martinez – American Statesman
The old Indian Queen Tavern is still standing at Bladensburg, Maryland. This view is from a painting by Mr. Edward Lamson – Henry. It shows also an old stage-wagon such as was used in the eighteenth century, starting out from the tavern door. With the establishment of turnpikes, road houses multiplied, and for a time prospered. But their day was short. – STAGECOACH and TAVERN DAYS
The Old Stagecoach Stop in Waynesville, Missouri – OzarksWatch
This Old House was a Stagecoach Stop – Robert Lz
At the junction of 51st and 52d streets with the post-road stood Cato’s Road House, built in 1712. Cato was a negro slave who had so mastered various specialties in cooking that he was able to earn enough money to buy his freedom from his South Carolina master. He kept this inn for forty-eight years. Those who tasted his okra soup, his terrapin, fried chicken, curried oysters, roast duck, or drank his New York brandy-punch, his Virginia egg-nogg, or South Carolina milk-punch, wondered how any one who owned him ever could sell him even to himself Alongside his road house he built a ballroom which would let thirty couple swing widely in energetic reels and quadrilles. When Christmas sleighing set in, the Knickerbocker braves and belles drove out there to dance; and there was always sleighing at Christmas in old New York-all octogenarians will tell you so. Cato’s egg-nogg was mixed in single relays by the barrelful. He knew precisely the mystic time when the separated white and yolk was beaten enough, he knew the exact modicum of sugar, he could, count with precision the grains of nutmeg that should fleck the compound, he could top to exactness the white egg foam, A picture of this old road house, taken from a print, is here given. It seems but a shabby building to have held so many gay scenes. – STAGECOACH and TAVERN DAYS
Built in 1841 by Samuel Murrell, this house was a well-known inn and stagecoach stop on Louisville-Nashville road until the L&N Railroad was completed in 1859. This property previously belonged to Susannah Henry Madison, wife of General Thomas Madison and sister of Patrick Henry. She was buried here and later moved to a cemetery in Smith’s Grove.
On the parlor of the Washington Tavern at Westfield, Massachusetts, is a fine wallpaper with scenes of a fox-chase. This tavern is shown on the opposite page; also on page 45 one of the fine hand-wrought iron door-latches used on its doors. These were made in England a century and a half ago. The taproom was usually the largest room of the tavern. It had universally a great fireplace, a bare, sanded floor, and ample seats and chairs. Usually there was a tall, rather rude writing-desk. – STAGECOACH and TAVERN DAYS
About Ferdinand Meyer V
Ferdinand Meyer V is a native of Baltimore, Maryland and has a BFA in Fine Art and Graphic Design from the Kansas City Art Institute and School of Design. Ferdinand is the founding Principal of FMG Design, a nationally recognized design consultation firm. Ferdinand is a passionate collector of American historical glass specializing in bitters bottles, color runs and related classic figural bottles. He is married to Elizabeth Jane Meyer and lives in Houston, Texas with their daughter and three wonderful grandchildren. The Meyers are also very involved in Quarter Horses, antiques and early United States postage stamps. Ferdinand is the past 6-year President of the Federation of Historical Bottle Collectors and is one of the founding members of the FOHBC Virtual Museum.